Siôn Griffiths’ Humanoids from Outer Space – an homage to the atomic age of cinema – continues with Chapter 4: The Chief that Fell to Earth and Chapter 5: The Day Wales Stood Still.
Liverpool Horror Club (LHC) and Two-Headed Snake Entertainment presented their second The Dead of Night Film Festival – this time in Liverpool – and like all LHC events there was a great club atmosphere where everyone is friendly, and you can chat to the people involved in the festival and the films.
“Liverpool’s only horror film festival!”
Matthew Holness is best know for his turn as Garth Marenghi, the darkly comic horror novelist that spoofs trashy 70’s British television, but here in his directorial feature debut there’s nothing humorous, in fact things are extremely grim indeed. What formula he does stick to is keeping with the style of trashy 70’s British horror films.
“Mother, Father, what’s afoot? Only Possum, black as soot. Mother, Father, where to tread? Far from Possum and his head. Here’s a bag, now what’s inside? Does he seek or does he hide? Can you spy him, deep within? Little Possum, black as sin.”
Waxwork Records is honored to present the 50th anniversary edition release of the original motion picture soundtrack to George A. Romero’s horror classic, Night of the Living Dead; and The Haunting of Hill House music from the Netflix horror series by The Newton Brothers.
“They won’t stay dead!”
Broke Horror Fan presents two brand-new VHS tapes loaded with Halloween horror: the indie horror anthology Dead by Midnight (11pm Central) and a double feature of two horror shorts, Dark Roast and Root of All Evil.
“Punk’s not dead… yet.”
Siôn Griffiths’ Humanoids from Outer Space – a throwback to the science fiction B movies of the 1950s – continues with Chapter 2: 20 Million Miles to Wales and Chapter 3: Attack of the Humanoids.
“If I don’t save the world, then who the hell will?”
In 1968, George A. Romero established the modern zombie film with his raw and terrifying debut the Night of the Living Dead, one of the most well-regarded and influential horror movies of all time. Now, 50 years after it all began, there’s a new entry into the undying franchise: Day the Dead: Bloodline
“They won’t stay dead!”
Defarious is gorgeously shot, with a tinged-blue colour pallet reminiscent of 80’s retro horror, with hints of slasher genre thrown in. Pallante is able to build the atmosphere well with an easy on the eye leading lady – Janet Miranda (as Amy) – and a wonderfully large environment to broaden its scope. As Amy roams the house her visions manifest into a crazed killer or demon, which raises the questions of what’s reality and what’s only in her head. Overall Defarious hits a few marks. Not as unsettling as it thinks it is, but is a nice nod to the inspired classics of the 1980s.
“Fear is all in the mind.”
Marko Mäkilaakso, director and co-writer of the sci-fi comedy/horror film It Came from the Desert, was kind enough to let us ask him some questions about his movie, his background, and his thoughts about horror and filmmaking.
“It Came from the Desert is inspired by the films I grew up with and love. It’s actually the most perfect film to show who I am as director. That’s why this is my most personal film.”
Marko Mäkilaakso’s movie It Came from the Desert evokes the creature features of the 1950s by way of the late 80s, making it a cheesy, nostalgia-packed thrill ride from start to finish. Inspired by the 1989 video game by Cinemaware, it never once takes itself too seriously, and keeps you watching with clever effects, over-the-top action sequences, and a number of hysterically funny lines that are sure to offend. What more could you ask from a monster movie?
“Okay, listen we need your help. We’re trapped by this giant ant… A giant freakin’ ant!”
Michael Myers returns in David Gordon Green’s Halloween, picking up 40 years after John Carpenter’s 1978 classic. Prepare for the highly-anticipated release with Fright-Rags’ official Halloween 2018 merchandise.
“There’s a reason we’re supposed to be afraid of this night.”
Written and directed by Siôn Griffiths, Humanoids from Outer Space is a throwback to the science fiction B movies of the 1950s; an homage to Ed Wood, Tommy Wiseau, and the atomic age of cinema.