I’m going to be honest here; I don’t really know what happened in this movie. I mean I think I do, but I’m not entirely sure. So, apologies in advance to the filmmakers who obviously put so much work into this psychedelic (often referred to as “acid” or what I’ve dubbed “twistern”) western filmed primarily in Wales. A bounty hunter is hired to collect a…demon gunslinger? Story points are integrated into the plot just as they are in most movies, other than the great Godfrey Reggio’s experimental eye candy, sure. But do they add to the proceedings or just further confuse the world that’s been created?
Luz is a cryptic, supernatural chiller and the directorial debut from writer-director Tilman Singer. It hearkens back to the horror style of the 1980s, offering grainy 16mm film, a creepy mood and an unsettling, synth-heavy score. It is the kind of film that will be enjoyed by fans of David Lynch or Peter Strickland, but Singer creates his own brand of surreal eccentricity. It’s challenging to describe Luz’s narrative because it’s far from straightforward. The film begins with a long-fixed take – a Chilean-born taxi driver called Luz, staggers into a German police station.