The Butcher is one of the many, many horror movies that seem to have been inspired directly by the murderous antics of one Mr Edward Gein. For those inexplicably unfamiliar with his work, Mr Gein was a serial murderer who haunted Plainfield, Wisconsin in the late 1940s and early 50s. Though he was from a small town and his “career” lasted barely half a decade, Gein made himself a name in the serial killer community for the – how shall we put it? – joie de travailler with which he went about his work. Almost all of the tropes beloved of the serial killer movie – the suit made of human skin, the mock-crucifixions, the skull crockery – have come from the details of Ed Gein’s trial.
Arrow Video are quickly becoming heroes to horror fans that cut their teeth on the genre in the 80s. Regularly releasing the type of titles that you would be fascinated with in your local independent video shop, it gives those of us who excitedly gorged on the type of low budget horror these shops stocked a chance to re-watch them with modern eyes, and those too young to rent them a chance to finally get their hands on them.
“They ooze. They slime. They kill.”
Whether you prefer Sam Raimi’s 1981 indie horror landmark or his black humor-injected 1987 sequel, Fright-Rags returns to the cabin in the woods with new The Evil Dead/Evil Dead 2 merchandise.
You are also cordially invited to spend an evening with Fright-Rags, Roger Cobb and his friends. Four t-shirts have been created for House and House II: The Second Story. Don’t forget to come out to play with The Warriors apparel. Can you dig it?
“Horror has also found a new home.”
Remember the days when films were captured on, well, film? You don’t? Whippersnapper. Respectable and reserved editor Eddie Swenson does. So when he’s transferred from his quiet, restrained art house section, to the brash, blood soaked vistas of the splatter and gore department, he realises why watching hours and hours of video violence may cause one to lose their head. You see, his predecessor went out with an, errrm…bang, after chowing down on a hand grenade. So Ed’s boss Samuel Campbell ‘promotes’ him to a domain that produces the ‘Loose Limbs’ series.
“It’s a no brainer.”
In the pantheon of horror and exploitation geniuses, no star shines brighter than Herschell Gordon Lewis’s. He invented the splatter/gore genre single handedly and was a true auteur when it came to his approach to producing his films.
“Nothing so appalling in the annals of horror!”PRESS PLAY ►
It may be International Women’s Day, but there are numerous female filmmakers, writers, actresses and artists that are making history every single day.
“The light that’s leaving that star right now will take a billion years to get down here. You want to know why you’ve never met a girl like me before? Because I’ll still be here when the light from that star gets down here to Earth in a billion years.”
With Premutos: Lord of the Living Dead, Olaf Ittenbach has managed to create a movie that doesn’t take itself too seriously; instead opting to bring humour to the violence portrayed onscreen. It is grosser, nastier, gorier than most splatter films, and likely done on a much smaller budget too. If you enjoy video violence exaggerated to the extreme, and your humour as black as the night sky, look no further than this fallen angel.
“For centuries, the secret of an ancient legend was kept hidden. It contained the legacy of the mystery of life and death. It was the book about the resurrection of the anti-god Premutos.”
Humanoids from the Deep, directed by Barbara Peeters (and an uncredited Jimmy T. Murakami), is an American science fiction monster movie produced by Roger Corman and New World Pictures.
Star Ann Turkel has stated that what began in pre-production as “an intelligent suspenseful science-fiction story” soon became an exploitative splatter movie. Roger Corman, disappointed with the rough cut, requested that further sex be shot and inserted into the final cut.
“They’re not human. But they hunt human women. Not for killing. For mating.”
Olaf Ittenbach is a German auteur who is a combination of Tom Savini and Takashi Miike. Originally a dental technician, Ittenbach then became a top notch SFX artist, his most notable credit being for BloodRayne by Uwe Boll.
Along with Boll, he is part of the German new wave bringing media attention to their underground films specializing in rape, necrophilia and extreme violence. Ittenbach’s films focus on pain, body destruction and gore, preferably as much that can be jammed into a two hour film.
“Breaking up is so very hard to do…”
Fright-Rags are celebrating the 30th anniversaries of both Paul Verhoeven’s RoboCop and Sam Raimi’s Evil Dead 2, with new merchandise dedicated to these 80s cult classics.
“Part man. Part machine. All cop. The future of law enforcement.”
Explicit gore was beginning to infiltrate the grindhouses of America, and ensured that employees of the British Board of Film Censors were working hard for their salaries. Strong reactions from the public, fuelled by politicians, tabloids and critics, set in motion outrage that would result in many splatter films being outright banned; especially in the United Kingdom.
“I created what no man’s mind nor woman’s womb could ever hope to achieve.”
Trapped inside an old haunted property, a body builder finds himself tormented by a relentless ghost with a 30 year grudge in Shinichi Fukazawa’s tongue-in-cheek splatter comedy; Bloody Muscle Body Builder in Hell. With the assistance of Terracotta Distribution, Attack from Planet B has had the opportunity to interview Shinichi Fukazawa to discuss his first feature-length film.