
Deceptively titled and oddly mis-marketed as a horror movie, Trey Edward Shults’s second feature It Comes at Night, might much more appropriately be viewed as a ‘post-apocalyptic psychological family drama’.
I’m often loath to place a movie under a genre classification, because certain movies might straddle several genres and don’t easily fit into pigeonholes.
However, if you go to see It Comes at Night expecting a conventional horror film, you will be disappointed… or perhaps you’ll be surprised.
“You can’t trust anyone but family.”
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