John Krasinski, better known for his portrayal on The Office, has not previously tackled the horror genre; either as a director or as an actor. His directorial debut, Brief Interviews with Hideous Men (2009), and his second feature The Hollars (2016) were both comedic dramas that displayed Krasinski’s talent both in front of the camera and behind it. But Krasinski’s transition into horror is something special. Co-written by Scott Beck, Bryan Woods and John Krasinski, A Quiet Place is as much about parenthood, as it is about the otherworldly creatures that hunt exclusively by sound.
Split is a grindhouse film in disguise, particularly repulsive for the cavalier way it blames women for the degeneracy of McAvoy’s character.
What makes Split so frustrating is that it could have been Shyalaman’s best film. Visually the film is perfect and the sound strikes the right balance between serene and scary, much like a Hitchcock film. The tension is palpable in the psychiatrist’s scenes, and the gripping terror of the girls is captured perfectly as their predicament grows worse.
“An individual with multiple personalities can change their body chemistry with their thoughts.”
Let me just preface this article with the acknowledgement that I loved this movie way out of proportion to what it probably deserves. If you’ve seen it or do so in the near future, it’s a tossup as to whether or not you’ll feel the same way about it that I do. You might gag and roll around on the floor foaming at the mouth miming, “My eyes, my eyes!” But seriously, have you seen it yet?
Another movie that’s so good at being bad that it surpasses all expectations, America 3000 is the work of writer-director David Engelbach. You’ll join me if that name doesn’t ring a bell, as this movie was his single directorial credit.
“An outrageous post-nuke adventure!”
In the isolated town of Perfection, not all is perfect. As strange occurrences and corpses mount up, the inhabitants led by Val & Earl, two hapless handy-men, doing what they can to fund their next beer, find themselves at the mercy of marauding underground giant worms.
This great film, which can be found somewhere within the television schedules nearly ever week, is an excellent example of a modern day ‘creature feature’, though now 20 years old, has not lost any of its charms, with a good selection of colourful characters and well paced storytelling.
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