Written and directed by Shinichiro Ueda, One Cut of the Dead begins with an impressive 37 minute long take set in an abandoned Japanese water filtration plant. “It’s just an urban legend… On record, this place was built for water filtration. But the Japanese army used here for some sort of experimentation… Human experimentation. Like…bringing the dead back to life.” Shinichiro Ueda’s movie injects the zombie trope with new life; thus reanimating the sub-genre. This is not Dawn of the Dead, nor is it Shaun of the Dead. Instead, One Cut of the Dead celebrates low-budget filmmaking.
Growing up isn’t easy and if I’m honest, I’m still having trouble coming to terms with it. But sometimes the decision to live as an eternal kidult is taken away from us, with youngsters shouldering the responsibility of primary caregiver. Such is the case for twelve year old Jonas, who finds the transition to enforced adulthood a struggle in Mara Eibl-Eibesfeldt’s bittersweet gothic fable The Spiderwebhouse. Gentle and ponderous The Spiderwebhouse is a charming portrayal, exploring the complexities of depression, and the harshness of a world as seen through a child’s eyes.
“Oh spider, oh spider, oh bring me to the place where I’m not.”
Helmed by the iconic and groundbreaking director Lo Wei, Jackie Chan was at his martial art peak by the time he took on the leading man role in Dragon Fist (1979). To Kill with Intrigue (1977), however, is undoubtedly one of the martial arts legend’s finest moments! Only 88 Films could have brought a 2K restoration of Dragon Fist and To Kill with Intrigue to UK Blu-ray as part of their ever-expanding and acclaimed Asian cinema collection!
“A new era in kung-fu films!”
One Cut of the Dead opens in a run-down, abandoned warehouse where a film crew are making a zombie film… Yet, this is no ordinary warehouse. It’s been said that this warehouse is the site where military experiments once took place…
“Don’t stop shooting!”
Liverpool Horror Club (LHC) and Two-Headed Snake Entertainment presented their second The Dead of Night Film Festival – this time in Liverpool – and like all LHC events there was a great club atmosphere where everyone is friendly, and you can chat to the people involved in the festival and the films.
“Liverpool’s only horror film festival!”
There’s an old saying about how you can choose your friends but you can’t choose your family. You also can’t generally choose your neighbors, and sometimes they can be even harder to avoid than family. It can be a real risk to try to befriend a neighbor, because if it all goes wrong somehow your only option is to pack up and move, and that’s a hassle nobody wants. Still, in Under the Tree, both sets of neighbors would have been much better off if they’d fled to opposite sides of the country. Admittedly Iceland isn’t a very big country, but that might have worked.
“Two families. One tree. A bloody mess.”
“We need an exterminator, one that would drive away King Ghidorah.” Comet TV and Attack from Planet B want everyone to enjoy their summer, catch some rays and protect themselves from an atomic-breathing beast, by giving one randomly chosen person the firepower to win Monster Summer merchandise. “Are you serious?”
Competition ends Friday, June 15th 2018
Umberto Lenzi had quite a career during his time as a film maker. Lenzi started law school, then decided his true passion lay with movies and attended the prestigious Centro Sperimentale di Cinematografia. His resume’ included peplum, westerns, giallos and mysteries, all typical of Italian cinema of the time. He later retired from cinema and wrote a series of detective novels. Then in 1972 Lenzi made what many consider the first true, cannibal film, Man from the Deep River. The work contained many of the attributes of future cannibal movies; violence, sex, the consumption of raw, human flesh… The movie established Lenzi as a director of turgid, offensive films.
“The nightmare becomes reality.”
It may be International Women’s Day, but there are numerous female filmmakers, writers, actresses and artists that are making history every single day.
“The light that’s leaving that star right now will take a billion years to get down here. You want to know why you’ve never met a girl like me before? Because I’ll still be here when the light from that star gets down here to Earth in a billion years.”
I heard of this anime film years ago but heard such bad things it put me off, then last week I found a good review on it that mentioned the plot and I thought I’d give it a go. Firstly like many other reviewers I must admit this is probably the craziest Dracula plot ever. It’s based of Tomb of Dracula issues 40-75 and as such there’s a lot going on…
Overall this film is very true to the comic and has a good storyline but it’s too rushed. The visuals in part are faithful to the comic but frequently seem low budget. If you liked Tomb of Dracula I’d definitely recommend this. If you’re looking for a different Dracula film you should enjoy it.
“Darling, I want to tell you about the man I used to be before I became the cursed slave of Satan.”
Those unfamiliar with the works of Eddie Romero should make it a priority to search out a few of his titles. Romero is the John Ford, Frank Capra and Wes Craven of Philippine cinema all rolled into one, having directed war films along with dramas, comedies and horror movies. The film industry of the Philippines is a remarkable story in itself, a business that is now well over a hundred years old. In the late sixties and early seventies Romero put a series of films together known as “The Blood Island Trilogy” which were low-budget shockers containing sex, blood and monsters.
“See human heads transplanted!”
Third Window Films team up again with director Eiji Uchida after the success of Lowlife Love, to create a black comedy based on an unbelievable true story dealing with cults, gangs and true love in Japan’s countryside. Love and Other Cults portrays young people having their lives tossed around by adults; dealing with social issues such as child neglect, teenage gangs and the sex industry against a blackly comic background.