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The Vault (2017, USA)

The Vault (2017)

Writer/director Dan Bush says of his film, The Vault, that his vision was to make a movie where ‘Heist meets horror’. He couches this ambition in a story dealing with sibling loyalty and conflict.

When Michael Dillon gets into trouble with a vicious gangster, he has to come up with a great deal of money very quickly in order to save his life. His two estranged sisters, Leah an ex-con, and Vee who has spent time in the military, come up with a plan to recruit some heavies who will help them rob a nearby bank.

“No one is safe.”

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Ring (1998, Japan)

Ring (1998)

Adapted from Koji Suzuki’s 1991 novel of the same name, Ringu リング is a cultural phenomena. Directed by Hideo Nakata, Ring launched a revival of horror filmmaking in Japan, and influenced American horror cinema at the turn of the 21st century. From the moment the Toho vanity card ends, Ringu gets under your skin. Forgoing the science behind the videotape in Koji Suzuki’s original novel, Hideo Nakata and screenwriter Hiroshi Takahashi instead re-imagine Ringu as a curse.

“So that video is… It’s not of this world. It’s Sadako’s fury. And she’s put a curse on us.”

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Indicator July 2018 Blu-ray Titles

Indicator July 2018 Blu-ray Titles

This July, Indicator presents a chilling selection of classic British genre cinema, all packaged in lovingly produced Limited Editions, including Blu-ray premieres and extensive collector’s booklets. On 23 July, Indicator presents Hammer Volume Three: Blood & Terror, the next volume in its acclaimed series of limited edition Blu-ray box sets dedicated to British cinema’s most iconic film production company. Also available on 23 July, Indicator presents Arthur Lubin’s Gothic thriller Footsteps in the Fog (1955).

“Close enough to kiss…or kill!”

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Baby Driver (2017, UK / USA)

Baby Driver (2017)

It’s becoming easy to recognise a film by Edgar Wright – there are trademark aspects: a sense of wit, sharp editing, and a rousing soundtrack. Baby Driver, Wright’s first-ever solo screenplay, offers a premise that is a cinematic convention, but told in a wholly energising and original way. The action-movie potential of the virtuoso driver is hardly a new concept. It’s a proposition that has had its twists and turns, from Walter Hill’s The Driver, The French Connection, Bullitt and Ronin right through to Ryan Gosling’s nameless specialist in Refn’s Drive.

“All you need is one killer track.”

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A Quiet Place (2018, USA)

A Quiet Place (2018)

John Krasinski, better known for his portrayal on The Office, has not previously tackled the horror genre; either as a director or as an actor. His directorial debut, Brief Interviews with Hideous Men (2009), and his second feature The Hollars (2016) were both comedic dramas that displayed Krasinski’s talent both in front of the camera and behind it. But Krasinski’s transition into horror is something special. Co-written by Scott Beck, Bryan Woods and John Krasinski, A Quiet Place is as much about parenthood, as it is about the otherworldly creatures that hunt exclusively by sound.

“If they hear you, they hunt you.”

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Friday the 13th Part 2 (1981, USA)

Friday the 13th Part 2 (1981)

Continuing five years after the events that occurred on Friday the 13th, this second installment is significant for introducing audiences to director Steve Miner (House, Halloween H20: 20 Years Later). Miner previously worked with producer/director Sean S. Cunningham on projects such as The Last House on the Left and the original Friday the 13th, before carving out his directional debut with Friday the 13 Part 2. Knowing how the character of Jason Voorhees evolves as the franchise continues, Friday the 13 Part 2 feels like a particularly special entry.

“The body count continues…”

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Ghost Stories (2017, UK)

Ghost Stories (2017)

It’s a while since we’ve seen a cinematic anthology of horror tales, but Ghost Stories revives that tradition with a trio of supernatural stories in the style of English portmanteau movies of the 1960s and the Ealing classic Dead of Night. The film’s writer-directors Andy Nyman and Jeremy Dyson have adapted Ghost Stories from their successful stage show. (Nyman is an actor, writer and magician who has devised productions for Derren Brown; Jeremy Dyson is actor, writer and co-creator of The League of Gentlemen) Their film offers a tribute to an array of old-school horror tropes.

“We have to be very careful what we choose to believe.”

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You Were Never Really Here (2017, UK / France / USA)

You Were Never Really Here (2017)

In You Were Never Really Here, Lynne Ramsay explores the themes of abuse, violence, trauma and the corruption inherent in the powerful elite. She has re-fashioned the narrative and plot without diminishing its brutal impact, and elevated what might have been a conventional revenge flick by sheer filmmaking skill. The action of the film accelerates and ultimately concludes without necessarily developing in the conventional way. In You Were Never Really Here, Ramsay has managed to translate her singular vision into a complex, but compelling, feature film.

“I want you to hurt them.”

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Mom and Dad (2017, USA)

Mom and Dad (2017)

“We love you more than anything in the world, but sometimes…” Mom and Dad is the new feature written and directed by Brian Taylor. It proves to be a kinetic, pitch-black horror-comedy – a gleefully wicked story propelled by some crazed characters.

The story develops at a ripping pace and director Taylor and the principal players appear to have a lot of fun with the disturbing premise and the savage lunacy. Despite their violent inclinations, we never really doubt that these parents still love their kids in some bizarrely distorted way.

“Sometimes, they just want to kill you.”

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The Shape of Water (2017, USA)

The Shape of Water (2017, USA)

Gaining accolades at film festivals around the world, The Shape of Water, Guillermo Del Toro’s latest feature, is part tribute, part pastiche, of the post-war monster movie. In his recent talk at the London Film Festival, Mr. del Toro affirmed: “Monsters are evangelical creatures for me. When I was a kid, monsters made me feel that I could fit somewhere, even if it was…an imaginary place where the grotesque and the abnormal were celebrated and accepted.”

“Unable to perceive the shape of you, I find you all around me. Your presence fills my eyes with your love. It humbles my heart, for you are everywhere.”

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The Gate (1987, Canada / USA) Vestron Video Blu-ray Review

The Gate (1987) Vestron Video

No one can dispute that Tibor Takács’ 1987 Canadian horror film The Gate is a cult – kid-friendly – horror classic. Growing up during the late 1980s and 90s, a fair amount of my spare time was spent watching the countless movies my parents had recorded off cable TV onto long play VHS tapes. We had stacks of them – mostly horror – which I would work my way through each one every weekend; discovering what would become all-time favourites, such as The Evil Dead. It was through these tapes that I discovered The Gate.

“They have opened the gate. Pray it’s not too late.”

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Super Dark Times (2017, USA)

Super Dark Times (2017)

Sometimes in film, a mood or feeling transcends the writing, itself. Kevin Philips’ debut feature, Super Dark Times is one of those films. The overall moodiness and aura of this teenage drama/horror film creates a skin-crawling dread that stuck with me long after viewing it. Super Dark Times is a teenage drama film that feels closer to horror at many points, and because of this, may scare off some fans of either genre. It is also extremely well-crafted and wonderfully moody, which is why it is a film that should definitely not be overlooked.

“If anybody asks, we’re already fucked.”

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