Founded in 2009, the American Genre Film Archive (AGFA) exists to preserve the legacy of genre movies, and now some of the weirdest and wildest films ever committed to celluloid have been released on Blu-ray – on the other side of the Atlantic – for the first time.
Jamie Babbit’s classic 90s cult comedy But I’m A Cheerleader heads to Blu-ray this June in a sparkling new 4K-restored Director’s Cut.
Blending 90s rom-com charm with the sharp satire of an 80s John Waters’ comedy, But I’m a Cheerleader is a timeless, hilarious and candy-coloured tale of acceptance and love that’s as relevant now as it was on its release, restored in 4K for this brand new director’s cut.
“A comedy of sexual disorientation.”
Waxwork Records is excited to present the 30th Anniversary deluxe release of Tim Burton’s Edward Scissorhands Original Motion Picture Soundtrack, composed by Danny Elfman.
“Innocence is what he knows. Beauty is what she sees.”
Actor and producer Steven Morana makes his directorial debut with Beast Within, a lycanthropic whodunit centered around a gaming app launch party that takes a sudden turn when a murder is discovered. Morana stars in the lead role as August, the tech wonder turned action hero who must protect his guests when a mysterious predator crashes his big night. Beast Within will be available 23rd February on DVD from Stonecutter Media, following a smash success as a cable and digital release in the fall. Morana shared directing duties with Chris Green.
“This game has no players. Only prey.”
About to enter his fourth decade of filmmaking and with over 100 movies to his name, Takashi Miike is one of the most prolific filmmakers working today. With such a huge output (averaging four films per year) his work can vary in genre and in quality. Some of Miike’s crime features can be humorless and gory, but his latest feature First Love, sees him at his most anarchically playful, his trademark ultra-violence is present, but here it is tempered by black comedy and a touch of romance. First Love is the kind of film that is a treat for genre fans who are familiar with Asian gangster tropes.
“Why boxing? It’s all I can do.”
On 18 May, Indicator shines a spotlight on four uncompromising, under-the-radar gems of American cinema from the sixties, seventies and eighties. First, Joseph L Anderson’s exquisite feature-film debut Spring Night, Summer Night (1967). Next, Indicator present two counter-cultural offerings: Melvin Van Peebles’ Watermelon Man (1970) and; Bill L Norton’s Cisco Pike (1972). Concluding the round-up of May’s new releases, Indicator present the UK Blu-ray premiere of Paul Mazursky’s Moscow on the Hudson (1984).
March is a busy month for releases at 101 Films, with a Blu-ray release for a recent horror that was a big hit on the 2019 festival circuit, blu-ray debuts for a pair of under-seen early ’80s sci-fi movies with strong pedigree, and the early ’70s coming-of-age drama that gave Sylvester Stallone his break.
“Home is where Hell is.”
In our rush to analyse, dissect and debate, we often forget that one of the functions of art, in this case cinematic art, is simply to give pleasure. Pleasure is subjective – what might give you pleasure might not appeal to someone else. It’s futile to disagree on this point unless of course, we can all exchange opinions in ways that might be mutually enlightening. Some of the most fascinating conversations I’ve had with cinephiles is when they enthuse about the films that made them fall in love with the medium. It is that which has prompted me to discuss some of the ‘films that made me’…
“There are angels on the streets of Berlin.”
This March, Indicator presents spies, pirates, swashbuckling adventure, and a revenge-driven magician, courtesy of Hammer Volume Five: Death & Deceit, the fifth in its limited-edition, box-set series devoted to British cinema’s most iconic film production company, and the sensational thrills of Vincent Price in 3D – John Brahm’sThe Mad Magician presented for the first time on Blu-ray in the UK!
“Astounding! Astonishing! Amaazing! So different you’ll hardly believe your eyes!”
Inspired by a real-life race that is still held annually in Japan, Samurai Marathon is an epic sword slasher from director Bernard Rose and the team behind 13 Assassins and The Last Emperor.
Visionary director Takashi Miike also returns to the big screen with the wildly entertaining Tarantino-esque crime thriller First Love.
“For 260 years, Japan cut itself off from the world.”
On 27 January, Indicator begins the new year with two offbeat classics of American 60s and 70s cinema and a pair of uncompromising British dramas from the 80s and 90s.
Curtis Harrington’s acclaimed Night Tide (1961); William Richert’s brilliantly off-kilter Winter Kills (1979); Paul Greengrass’ unflinching Resurrected (1989); and last but far from least, Peter Mullan’s jet-black comedy, Orphans (1998).
“Sensual ecstasy becomes supernatural terror!”
Iconic. Timeless. Dirty Dancing is back on the big screen tonight at Liverpool’s Plaza Community Cinema!
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances ‘Baby’ Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
Have the time of your life and re-live Johnny Castle’s and Baby’s holiday romance.