On 27 May, Indicator presents an eclectic selection of unhinged, genre-twisting films from some of British cinema’s greatest filmmakers, and starring some of the world’s most celebrated actors: St. John L. Clowes’ No Orchids for Miss Blandish (1948), which was condemned upon its original release for its depiction of violence; Jack Gold’s Who? (1974); Richard Loncraine’s Bellman and True (1987); and the psycho-sexual drama Track 29 (1988).
On 22 April, Indicator presents a selection of classic films, directed by and starring some of Hollywood cinema’s most celebrated talents, all available on Blu-ray for the first time: Dragonwyck (1946); The Snake Pit (1948); The Reckless Moment (1949); and Lilith (1964).
“I remembered once reading in a book, that long ago they used to put insane people into pits full of snakes. I think they figured that something which might drive a normal person insane, might shock an insane person back into sanity.”
Garageland have announced their limited edition Famous Monsters print series; including Frankenstein, The Bride of Frankenstein, The Wolf Man, and The Invisible Man – screen printed on 18” x 24” speckletone cream/kraft paper. Each print run (limited to 75 each) is signed and numbered by the designer, Lou Xray.
“Created in a weird scientist’s laboratory… from the skeletons of two women and the heart of a living girl!”
Slasher Pack IX: Monsters includes four Japanese inspired horror tees from Dracula, The Wolf Man, The Mummy and Frankenstein; available for pre-order now!
On 20 August, Indicator presents a selection of thrilling and powerful films: Fritz Lang’s Ministry of Fear (1944) stars Ray Milland in a classic tale of murder and suspense; Ronald Neame’s The Odessa Files (1974) is a chilling espionage thriller; Costa-Gavras’ Oscar-winning Missing (1982) is a true-life drama of a father’s quest to uncover the truth of his son’s disappearance; and David Mamet’s Oleanna (1994) is a daring adaptation of his controversial and ever-relevant stage-play.
“We thought you’d been killed.”
On 18 June, Indicator presents a collection of films by the legendary Samuel Fuller, as well as two uncompromising works directed by and starring some of American cinema’s most iconic names.
Samuel Fuller at Columbia, 1937-1961 brings together the maverick director’s hard-hitting crime dramas, along with a series of films made for Columbia Pictures which were based on stories by Fuller.
“If it’s not love, what is it?”
Horror fans nowadays are spoiled rotten. They’ve grown up with fancy special effects and boundary-pushing thematic content packaged with the latest genre titles, whereas viewers way back when made do with the main actor staring at everyone as a movie’s big draw.
“His lust for voodooism spells D-O-O-M!”
With two heavy weights in the world of Universal Picture’s Monster, Frankenstein Meets The Wolf Man should and could have been one of their biggest hits. But this film had more story behind the scenes than it did on offer to the cash paying public. So what was going on?
So for our review and to read story of what was going on behind the camera, head on inside. PRESS PLAY ►