In its continuing commitment to provide horror fans with apparel from all eras of the genre, Fright-Rags has released a new Universal Monsters collection featuring The Wolf Man and The Mummy, and collections for two cult favorites from the 1980s: Wes Craven’s Shocker and John Carpenter’s They Live.
The London Korean Film Festival (LKFF) has launched its full programme of films and events for the upcoming 14th edition, taking place from 1st-14th November in London before embarking on the annual tour 18th-24th November.
“Korean cinema continues to excite global audiences with a steady stream of titles that satisfy both artistic and commercial appetites.”
Half of what makes a good horror film is a good monster. Without a believable, and ultimately scary, antagonist there’s not much for the audience to latch onto. No film studio – not even the amazing Hammer Films – has ever been able to hold a candle to the classics, and probably wouldn’t have ever existed without the Universal monster movies of the 1930s and 40s.
“Not since the beginning of time has the world beheld terror like this!”
On 23 September, Indicator shines a light on a quartet of outstanding, yet little-seen films which star some of Britain’s most celebrated acting talent. First, Alberto Cavalcanti’s classic They Made Me a Fugitive (1947); secondly, Michael Winner’s The System (1964); next, Indicator proudly present their second world Blu-ray premiere – the fascinating sixties drama 90° in the Shade (1965); and last but by no means least, Indicator present another long-overdue UK Blu-ray premiere – Matthew Chapman’s Hussy (1980).
“Gangway for gangland’s blazing guns!”
On 27 May, Indicator presents an eclectic selection of unhinged, genre-twisting films from some of British cinema’s greatest filmmakers, and starring some of the world’s most celebrated actors: St. John L. Clowes’ No Orchids for Miss Blandish (1948), which was condemned upon its original release for its depiction of violence; Jack Gold’s Who? (1974); Richard Loncraine’s Bellman and True (1987); and the psycho-sexual drama Track 29 (1988).
“They kidnapped his son. They forced him to steal 14 million dollars. Then they made their biggest mistake. They trusted him.”
On 22 April, Indicator presents a selection of classic films, directed by and starring some of Hollywood cinema’s most celebrated talents, all available on Blu-ray for the first time: Dragonwyck (1946); The Snake Pit (1948); The Reckless Moment (1949); and Lilith (1964).
“I remembered once reading in a book, that long ago they used to put insane people into pits full of snakes. I think they figured that something which might drive a normal person insane, might shock an insane person back into sanity.”
Garageland have announced their limited edition Famous Monsters print series; including Frankenstein, The Bride of Frankenstein, The Wolf Man, and The Invisible Man – screen printed on 18” x 24” speckletone cream/kraft paper. Each print run (limited to 75 each) is signed and numbered by the designer, Lou Xray.
“Created in a weird scientist’s laboratory… from the skeletons of two women and the heart of a living girl!”
Slasher Pack IX: Monsters includes four Japanese inspired horror tees from Dracula, The Wolf Man, The Mummy and Frankenstein; available for pre-order now!
On 20 August, Indicator presents a selection of thrilling and powerful films: Fritz Lang’s Ministry of Fear (1944) stars Ray Milland in a classic tale of murder and suspense; Ronald Neame’s The Odessa Files (1974) is a chilling espionage thriller; Costa-Gavras’ Oscar-winning Missing (1982) is a true-life drama of a father’s quest to uncover the truth of his son’s disappearance; and David Mamet’s Oleanna (1994) is a daring adaptation of his controversial and ever-relevant stage-play.
“We thought you’d been killed.”
On 18 June, Indicator presents a collection of films by the legendary Samuel Fuller, as well as two uncompromising works directed by and starring some of American cinema’s most iconic names.
Samuel Fuller at Columbia, 1937-1961 brings together the maverick director’s hard-hitting crime dramas, along with a series of films made for Columbia Pictures which were based on stories by Fuller.
“If it’s not love, what is it?”
Horror fans nowadays are spoiled rotten. They’ve grown up with fancy special effects and boundary-pushing thematic content packaged with the latest genre titles, whereas viewers way back when made do with the main actor staring at everyone as a movie’s big draw.