Put down the whippits and prepare to W.I.P. it as Troma Entertainment satisfies your thirst for revenge with special screenings of 1987’s women in prison thriller, Lust for Freedom, on TROMonday, November 11th at Film Noir Cinema in Brooklyn, NYC and Troma Tuesday, November 12th at The Grand Gerrard Theatre in Toronto, Canada at 9:00 PM!
The Ingress Tapes and Dead Celebrities are both witty, engaging and at times disturbing pieces and are effective for their conciseness. With their tight running times and often dream-like, art house aesthetic, Michael Fausti’s works act like a short sharp adrenaline shot.
“Real life can be truly horrific and a script always needs a strong foundation. Rooting a narrative in real life events or happenings is a good starting point.”
I have to admit, straight off the bat, that I’m an absolute sucker for Agatha Christie-type whodunnits, so too is self-confessed fan, writer/director Rian Johnson, as he admitted during his talk at the recent BFI London Film Festival. He certainly demonstrates his love for the genre in his spirited and inventive homage, Knives Out. Johnson knows that half the fun lies in our recognition of the rules of the game, so he immediately provides his audience with a rambling, labyrinthine, old house in the countryside, full of curiosities and knick-knacks, a wealthy patriarch, and a large family with many secrets.
“Everyone has a motive. No one has a clue.”
Waxwork Records is proud to present Rob Zombie’s 3 from Hell original motion picture soundtrack! The 2xLP package features classic songs by Suzi Quatro, Iron Butterfly, Terry Reid and more. Included is the complete film score by Zombie’s long time collaborator and producer, Zeuss.
“I’m just a clown dancing to the sins of mankind.”
There’s a problem with Rob Zombie. As a filmmaker he’s a conundrum. He’s a jigsaw puzzle, but with a few pieces missing and those missing pieces are what’s stopping him from connecting fully with fans of the horror genre.
Never has a director in the horror genre been as polarising. There are the people that see Zombie as an extremely creative talent and there are the ones that absolutely despise him
“The evil returns.”
‘There’s a few things I’d like to get off my mind before I go’ confesses the deep voice of an unseen man with a South London accent. Before us is a desk with three objects laid out on its surface; a reel to reel tape recorder, a telephone and an ashtray. In The Ingress Tapes we will hear the detailed and confessional musings of an unidentified criminal but intriguingly neither they nor their interviewer are ever identified, a detail which adds to the film’s overall atmosphere of ambiguity. It would appear that the tapes are first-hand accounts of a catalogue of brutal and shocking crimes.
“Fantasy, confession or evidence?”
Holy Crap. Dick is dead. Died last night after band practice, and his bandmates, Zeke & Earl, don’t want anybody finding out how. That’s too bad though, ‘cause news travels fast in small town Alabama, and these guys suck at covering their tracks. The authorities haven’t ID’d the body just yet, but Zeke’s wife and his daughter are suspicious already. From a screenplay by Billy Chew, director Daniel Scheinert expertly balances the hilarity and heartache of what happens when dark secrets are dragged kicking and screaming into the light.
“The night things went very south.”
There’s a very poignant line given by a therapist to character Arthur Fleck in the movie Joker that basically sums up its overall message: “Nobody gives a fuck about people like you.” The character of the Joker has been featured on screen four times previously, but this is the biggest change in dynamics than ever seen before. So too is the environments those previous incarnations have played in. This time around there’s no mention of superheroes or capes. This is the most grounded, gritty and most realistic take on the character and the city of Gotham ever.
“Put on a happy face.”
Mad, bad and dangerous to know… Nicolas Cage is famous for his gloriously over-the-top outbursts, elevating average film scenes into moments of truly hysterical greatness. With his dialled-up-to-eleven delivery, manic eyes, and wild character tics, The Cage has turned in a slew of unhinged performances over the years to the delight of audiences everywhere.
“You think I’ve got BEEEEEF!?!”
Sex? Check. Drugs? Check. Mafia bloodshed? Check. Surgical gore? Check.
You might not have heard of controversial Polish director Patryk Vega but his films have been major cinematic hits both in Poland and the UK.
“End of Bosses. Time for Queens.”
First, there was House of 1000 Corpses. Then there was The Devil’s Rejects. Now, Rob Zombie presents the next blood-soaked chapter in the most violent crime saga in movie history: 3 from Hell. After barely surviving a furious shootout with the police, Baby Firefly, Otis Driftwood and Captain Spaulding are behind bars. But pure evil cannot be contained. Teaming up with Otis’ half-brother Winslow Foxworth Coltrane, the demented Firefly clan are back to unleash a whole new wave of death and depravity. A firestorm of murder, madness and mayhem will be released in this terror ride to Hell and back.
“Free the Three.”
Meet Mick, he’s a psychopath who wants to be famous and he’s found a way of achieving his dream – but Mick is no ordinary killer, he knows a secret. A secret he shares with Elvis Presley, Jim Morrison, Judy Garland, and other dead celebrities.
Dead Celebrities is misleading, with the narrator Mick seeming like he has a fetish for dead celebrities, or at the least, a conspiracy theorist with his tales of a get famous quick scheme. However, as the story unfolds there are attempts to make his tale seem credible.