This March, Indicator presents spies, pirates, swashbuckling adventure, and a revenge-driven magician, courtesy of Hammer Volume Five: Death & Deceit, the fifth in its limited-edition, box-set series devoted to British cinema’s most iconic film production company, and the sensational thrills of Vincent Price in 3D – John Brahm’sThe Mad Magician presented for the first time on Blu-ray in the UK!
On 27 January, Indicator begins the new year with two offbeat classics of American 60s and 70s cinema and a pair of uncompromising British dramas from the 80s and 90s.
Curtis Harrington’s acclaimed Night Tide (1961); William Richert’s brilliantly off-kilter Winter Kills (1979); Paul Greengrass’ unflinching Resurrected (1989); and last but far from least, Peter Mullan’s jet-black comedy, Orphans (1998).
“Sensual ecstasy becomes supernatural terror!”
Austin-based cinema-eatery Alamo Drafthouse Cinema is celebrating one of America’s greatest cultural icons and cinema’s greatest action franchises with an explosive Rambo five-film marathon event at twenty-three locations across the United States. Audiences will go from First Blood to Last Blood, beginning with 1982’s First Blood, then continuing with Rambo: First Blood Part II (1985), Rambo III (1988), Rambo (2008), and then concluding with the new Lionsgate/Millennium Media blockbuster finale, Rambo: Last Blood.
“This marathon is for the ultimate Rambo fan and there’ll be so much to see…”
On 28 October, Indicator presents long-overdue Blu-ray premieres of four powerful and uncompromising films. First, two worldwide Blu-ray premieres: the tense Brit noir Time Without Pity (1957); and the epic Young Winston (1972). Next, two UK premiere editions: Badge 373 (1973), directed by Howard Koch, is based on the life of New York detective Eddie Egan; and award-winning director Alan Parker’s Birdy (1984).
“A gun in his sock, a tire iron in his belt, and no badge. The story of Eddie. The best ex-cop in the business.”
Back in 2015, Ted Geoghegan released his directorial debut We Are Still Here and took a lot of people by surprise, including myself. A well-crafted horror that didn’t follow the same old cliches that a lot of horrors do today. His follow up, Mohawk, is kind of following the same route. Not so much a horror this time, but a film that depicts plenty of horrors and a complete diversion from his previous movie. The tale follows the events of 1812 where war is boiling over between the Americans and the British. Sandwiched in between is the Mohawk tribe who reluctantly refuse to take sides or fight.
“They’re gonna kill us all if we don’t fight.”
On 19 August, Indicator presents a six-disc limited edition Blu-ray box set dedicated to the unique collaborative relationship between one of cinema’s greatest visual stylists and one of Hollywood’s most iconic stars: Marlene Dietrich & Josef Von Sternberg at Paramount, 1930-1935. Also available is Indicator’s delayed release of the Michael Palin comedy The Missionary.
“What could she do but flee from love? She loved two men at once!”
The word ‘Epic’ has recently been devalued and just used to mean something that is striking or enjoyable, but the correct meaning of the word indicated narratives in the ‘Epic’ mould – those which surpass the ordinary in scale and reach heroic proportions – this applies to films too. I’m taking a look at some of the truly Epic movies from the early 1980s that showed extraordinary ambition in their story and spectacle.
“Forged by a god. Foretold by a wizard. Found by a king.”
In the final days of World War 1 a shell-shocked tunneller leads an Allied team into a hidden German base… 100 hundred feet below the trenches. The Germans have lost control of a highly contagious biological weapon that turns its victims into deranged killers. The Allies find themselves trapped underground with hordes of the infected, a rapidly spreading disease and a team of German Stormtroopers dispatched to clean up the mess. The only thing more terrifying, is what lies beneath it!
“A fate worse than death!”
Slasher Pack XI: Tarantino Vol. 2 includes four Japanese inspired exploitation tees from Inglorious Basterds, The Hateful Eight, Kill Bill: Vol. 1 and Vol. 2; available for pre-order now!
“This is what you get for fucking around with Yakuzas!”
Indicator pride themselves on championing great British cinema and, as part of this ethos, 18 March 2019 will see the release of their first restorations. Scanned in 4K from the original negatives, their presentations of The Triple Echo and Immaculate Conception mark a new development in the Indicator range which will ensure that even more unjustly neglected gems will appear on Blu-ray for the first time ever. March’s selection also includes Anthony Mann’s A Dandy in Aspic, and John Dexter’s The Virgin Soldiers.
“Would you go A.W.O.L. with this man?”
Indicator ushers in 2019 with an eclectic quartet of distinctive American films directed by and starring some of the most iconic and celebrated talents of their day: Gardens of Stone (1987); R.P.M. (1970); and Breakout (1975).
However, 2018 is not over yet. Indicator are delighted to announce that Powerhouse Films will present its first ever theatrical release on 14 December – Dennis Hopper’s visionary The Last Movie (1971).
“There is a time to die and a time not to.”
This July, Indicator presents a chilling selection of classic British genre cinema, all packaged in lovingly produced Limited Editions, including Blu-ray premieres and extensive collector’s booklets. On 23 July, Indicator presents Hammer Volume Three: Blood & Terror, the next volume in its acclaimed series of limited edition Blu-ray box sets dedicated to British cinema’s most iconic film production company. Also available on 23 July, Indicator presents Arthur Lubin’s Gothic thriller Footsteps in the Fog (1955).