A24 has shared this brand new trailer for Ari Aster’s “Scandinavian folk horror film”, Midsommar, starring Florence Pugh and Jack Reynor as a young American couple with a troubled relationship on the brink of falling apart. This relationship is about to be tested further when they embark on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. You see, the insular villagers only celebrate Midsommar every 90 years, and this land of eternal sunlight is about to take a sinister turn…
The new official poster for A24’s Midsommar, from Ari Aster – director of Hereditary – has been released and I’m psyched up for when it arrives in cinemas 3 July. Dani and Christian are a young American couple with a relationship on the brink of falling apart. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in a land of eternal sunlight takes a sinister turn…
“Let the festivities begin.”
Canadian writer-director team Steven Kostanski and Jeremy Gillespie are part of the Astron-6 collective, whose work includes the playful retro horrors The Editor and Manborg.
In their feature The Void, they tone down the humour and opt for suspense and full-on Lovecraftian horror. They draw their influences from a number of sources, including Clive Barker’s Hellraiser, Anderson’s Event Horizon, Cronenberg’s The Fly, Lucio Fulci’s The Beyond and Carpenter’s The Thing and Prince of Darkness.
“There is a hell. This is worse.”
Coming into this movie I’ll be honest, I wasn’t sure what to expect. I absolutely love monster movies, I always have. Kong: Skull Island is a total throwback to the fun, action adventure movies we got throughout the 80’s and early 90’s. There’s so much to like here and it’s hard not to enjoy, so even though it’s had respectable reviews, it certainly hasn’t taken the world by storm. Don’t get me wrong it’s not going to win any awards, but it’s clear that wasn’t it’s aim. It’s main purpose is to give the audience a nostalgic, happy time and to entertain.
“All hail the King.”
I emerge from the darkness of a doorway, blinking into the daylight of a Soho street. I look up at the sliver of wintry sky between the tops of the buildings, hoping that a random wormhole into a time portal might somehow open up.
Admittedly, this is almost a daily occurrence with me, but [at the time of writing] it is particularly significant as it is October 2nd , and I have just come out of a special 15th anniversary screening of Donnie Darko, Richard Kelly’s much beloved and oft debated cult movie.