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An Interview with Director Michael Fausti, The Ingress Tapes, Dead Celebrities, EXIT

An Interview with Director Michael Fausti, The Ingress Tapes, Dead Celebrities, EXIT

The Ingress Tapes and Dead Celebrities are both witty, engaging and at times disturbing pieces and are effective for their conciseness. With their tight running times and often dream-like, art house aesthetic, Michael Fausti’s works act like a short sharp adrenaline shot.

“Real life can be truly horrific and a script always needs a strong foundation. Rooting a narrative in real life events or happenings is a good starting point.”

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The Ingress Tapes (2017, UK) Review

The Ingress Tapes (2017, UK) Review

‘There’s a few things I’d like to get off my mind before I go’ confesses the deep voice of an unseen man with a South London accent. Before us is a desk with three objects laid out on its surface; a reel to reel tape recorder, a telephone and an ashtray. In The Ingress Tapes we will hear the detailed and confessional musings of an unidentified criminal but intriguingly neither they nor their interviewer are ever identified, a detail which adds to the film’s overall atmosphere of ambiguity. It would appear that the tapes are first-hand accounts of a catalogue of brutal and shocking crimes.

“Fantasy, confession or evidence?”

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