In the original series you could really root for Sabrina as she learns witchcraft and all the negative aspects that came with it but here the stakes are much higher, not just regarding whether she will be a mortal or witch, but to be a witch she has to sign her name in Satan’s book and he could call on her at any time. There’s a stronger sense of Sabrina’s desperation to learn about her family history and what had happened to her parents, along with the struggles of being a half witch, giving the series a bit of a Harry Potter feel, even though the original Sabrina comics and 90s series predate it.
When Netflix dropped Spanish director Paco Plaza’s new film Veronica earlier this year, I doubt even they predicted it would get the attention it’s had? Some people have dubbed it “the scariest film ever!” and it’s supposedly based on a real events, so naturally I had to check it out to see what all the fuss was about. I’m a fan of Plaza’s [•REC] movie so I knew he would cook up some decent scares.
The story is set in Madrid in 1991 and focuses on teenager Veronica.
“Someone answered your call.”
Waxwork Records is honored to present the 50th anniversary edition release of the original motion picture soundtrack to George A. Romero’s horror classic, Night of the Living Dead; and The Haunting of Hill House music from the Netflix horror series by The Newton Brothers.
“They won’t stay dead!”
Waxwork Records is excited to present the expanded and deluxe vinyl release of Phenomena original motion picture score. Written and directed by Dario Argento and scored by Claudio Simonetti and Fabio Pignatelli of the progressive-rock group Goblin, Phenomena is a 1985 Italian supernatural giallo-horror film starring Jennifer Connelly and Donald Pleasance.
“It will make your skin crawl.”
Waxwork Records is thrilled to present the expanded and completed release of Inferno original motion picture soundtrack. Written and directed by horror visionary Dario Argento and featuring a haunting soundtrack composed by the late Keith Emerson, Inferno is a 1980 Italian supernatural horror film that serves as a thematic sequel to Suspiria.
“Come face to face with hell.”
The first in a trilogy of novels by Australian author Phil Hore, The Order of the Dragon introduces us to two very different characters: the learned, dryly humorous Amun Galeus, and his hulking friend Sebastian Vulk. While this might sound like standard bickering buddies fare, the novel doesn’t descend into cliché: it’s a fun, pulp horror piece that starts off slow, but once it hits its stride, rockets like a freight train.
“My name is Amun Galeas and it is hard for me to fathom that I now live in an age of instant communication. But then again, I’ve said similar things about many an age for as long as I can remember…”
This Hallowe’en, Indicator presents a selection of horror classics from two masters of the macabre: William Castle at Columbia, Volume One, the first of two limited edition blu-ray box sets dedicated to one of American cinema’s most iconic filmmakers; and Jacques Tourneur’s terrifying Night of the Demon (1957).
“Who will be the next in line to defy the curse?”
There isn’t much I haven’t already seen when it comes to horror films. I’ve been watching them ever since I was old enough to get away with it, or even before (on one occasion I got in to see The Exorcist while underage because I was accompanied by a priest!). I’ve seen all the regular horror tropes play out in scores of films, with varying degrees of success.
Although the overriding premise of Ari Aster’s first feature, Hereditary, isn’t a particularly original one, the unfolding and execution of that premise is exceptional.
“Every family tree hides a secret.”
Writer/director Dan Bush says of his film, The Vault, that his vision was to make a movie where ‘Heist meets horror’. He couches this ambition in a story dealing with sibling loyalty and conflict.
When Michael Dillon gets into trouble with a vicious gangster, he has to come up with a great deal of money very quickly in order to save his life. His two estranged sisters, Leah an ex-con, and Vee who has spent time in the military, come up with a plan to recruit some heavies who will help them rob a nearby bank.
“No one is safe.”
Adapted from Koji Suzuki’s 1991 novel of the same name, Ringu リング is a cultural phenomena. Directed by Hideo Nakata, Ring launched a revival of horror filmmaking in Japan, and influenced American horror cinema at the turn of the 21st century. From the moment the Toho vanity card ends, Ringu gets under your skin. Forgoing the science behind the videotape in Koji Suzuki’s original novel, Hideo Nakata and screenwriter Hiroshi Takahashi instead re-imagine Ringu as a curse.
“So that video is… It’s not of this world. It’s Sadako’s fury. And she’s put a curse on us.”
Cavity Colors have created a terror no human being should ever live to see again… Brand new officially licensed, ultra soft 100% cotton apparel designed by Devon Whitehead, that will lead you to your dark, icy death.
“When the fog rolls in… the terror begins!”
It’s a while since we’ve seen a cinematic anthology of horror tales, but Ghost Stories revives that tradition with a trio of supernatural stories in the style of English portmanteau movies of the 1960s and the Ealing classic Dead of Night. The film’s writer-directors Andy Nyman and Jeremy Dyson have adapted Ghost Stories from their successful stage show. (Nyman is an actor, writer and magician who has devised productions for Derren Brown; Jeremy Dyson is actor, writer and co-creator of The League of Gentlemen) Their film offers a tribute to an array of old-school horror tropes.