It may be International Women’s Day, but there are numerous female filmmakers, writers, actresses and artists that are making history every single day.
Shortly after Mad Max: Fury Road was released to theaters, an edited version of the original theatrical trailer was uploaded online, stylistically changing the tone of Fury Road to something one would expect to see at the grindhouse.
Since then The Playback Collective have created three more trailers in a similar vein; designed to take you back a few decades into the past.
“Maybe it was those torn cheesy covers of old VHS horror films that were prohibited by mom and dad. It was something about those years, those years that had to be played back.”
For all you “cockadoodie” Stephen King fans, there’s nothing to worry about. Shh darlings, trust us… Fright-Rags have teamed with artist Robert Giusti to bring the Misery dust jacket from the 1987 novel to t-shirts and hoodies. Fright-Rags’ Creepshow collection is the frosting on the cake. It ain’t meteor shit, you lunkhead!
“Oh, my goodness! Heavens to Betsy!”
Waxwork Records is thrilled to present the deluxe soundtrack re-press of George A. Romero and Stephen King’s seminal 1982 horror-anthology classic, Creepshow; along with six large vibrant and detailed 1.75″ Creepshow enamel pins; designed by Ghoulish Gary Pullin.
“Where’s… my… cake? I… want… my… cake!”
Fright-Rags offers you the heights of ecstasy with their merchandise from Stephen King’s It, Rob Zombie’s Halloween and Hellraiser III: Hell on Earth. This apparel will tear your soul apart!
“What began in Hell, will end on Earth.”
Waxwork Records have worked directly with composers Les Reed and Rick Wakeman to acquire the original source material (after a lengthy search for the original masters) and re-master for vinyl. This stunning deluxe, double LP soundtrack release marks the very first time that the music from Creepshow 2 has been released in any format.
“Good to the last gasp!”
Those who might shift the blame for Cell’s shortcomings onto a writer with a feeble understanding of the source book should be aware that Stephen King himself had a hand in composing the screenplay. Not only that, he also warned admirers of said novel that some changes that might rub them the wrong way would be imminent. King wasn’t lying, having willingly helped turn a visceral and harrowing work like Cell into a limp-wristed 28 Days Later riff with too many cut corners to freak out seasoned horror buffs.
“When everyone is connected, no one is safe…”
Even as children, most of us have a perverse interest in the gruesome. This is not something new to modern culture, no matter how shocked we might be regarding the explicit nature of current video games and movies. Classic myths and fairy tales were tapping into human nature’s odd fascination with the macabre and grotesque since stories began. No contemporary writer has been more attuned to this strange proclivity than Stephen King, and the popularity of his work is a testament to his insight.