Continuing from our previous interview, Attack from Planet B talked with Michael Fausti regarding his first feature film EXIT, and the various influences that have helped shape him as a filmmaker.
Have you ever looked at a mannequin and swear you seen it move or talk? Variable in size, shape and detail, these human-like but hallow creations have a definite mystique. Filmmakers have included them continually in horror, relying on their presence to create a deep and unnerving effect…
“Oh, Melvin… What are we going to do with you?”
1982 saw the release of Louis La Vope’s horror short which was broadcast on American television. Entitled simply The Dummy, and running at less than eight minutes, it tells of the eponymous doll who comes to life and inflicts mental and physical torment on an unsuspecting victim.
“I’ve had that since I was eight years old… You can’t throw it out!”
The Ingress Tapes and Dead Celebrities are both witty, engaging and at times disturbing pieces and are effective for their conciseness. With their tight running times and often dream-like, art house aesthetic, Michael Fausti’s works act like a short sharp adrenaline shot.
“Real life can be truly horrific and a script always needs a strong foundation. Rooting a narrative in real life events or happenings is a good starting point.”
Clocking in at just over one minute twenty seconds (including credits), The Tattooist is the briefest of short films, but has enough visual flair to grab your attention. The story revolves around the murderous exploits of the titular character. Because the film is so brief and quick, it’s barely enough time to fully comprehend how the narrative flows. What we do witness is the kidnapping of multiple people and them being subjected to horrendous torture, that resembles something straight from the Saw or Hostel movies.
“Behind his obsession is a sinister secret.”
When writing reviews I always make a decision of if I want to reveal plot points or spoilers. This isn’t in any way to ruin the experience of the film for people who haven’t seen it, but I like to write as if you, the reader, and me are having a cup of coffee and chatting about a film we’ve just watched together. I find it a lot more engaging and intimate. So I apologise if during my reviews there’s a lot of spoilers, but that’s my process. This won’t be the case with the short film Occurrence at Mills Creek because I’d found it very difficult to fathom anything interesting?
“See me. Hear me.”
The 2nd annual Dead All Day Horror Film Festival brings chills and thrills to the North West of England on Saturday 16th November 2019. Returning once again to The Studio in Widnes, Cheshire, Dead All Day brings a jam packed schedule of short films with one epic headlining movie to fright and delight the audience. Highlights include the multi award winning short film Midnight from UK writer/director Katie Bonham; creature feature Dead Air from director Geoff Harmer; and Trapped, written by Richard Chizmar and the one and only Stephen King!
“Celebrating true independent horror!”
The Dead of Night Film Festival returned to Liverpool and this time there were more short films (and a quiz too!), all for the low price of £12 for the day. In total there were three feature films and nine shorts screening on Sunday 13th October.
“Made for horror fans by horror fans.”
‘There’s a few things I’d like to get off my mind before I go’ confesses the deep voice of an unseen man with a South London accent. Before us is a desk with three objects laid out on its surface; a reel to reel tape recorder, a telephone and an ashtray. In The Ingress Tapes we will hear the detailed and confessional musings of an unidentified criminal but intriguingly neither they nor their interviewer are ever identified, a detail which adds to the film’s overall atmosphere of ambiguity. It would appear that the tapes are first-hand accounts of a catalogue of brutal and shocking crimes.
“Fantasy, confession or evidence?”
2017 horror short The Dollmaker packs a lot of creepiness into a short runtime. It starts in the opening shot, which depicts a casket containing a child’s corpse. The image lingers uncomfortably long on the screen as we listen to a conversation possibly even more ominous than the visual. A bereaved mother is speaking with a man who requests something the dead child wore, a lock of hair, and one of his prized possessions. In any horror story, nothing good ever comes of messing with a dead person’s stuff.
“Do not spend longer than one turn of the hourglass with him. Ever.”
Meet Mick, he’s a psychopath who wants to be famous and he’s found a way of achieving his dream – but Mick is no ordinary killer, he knows a secret. A secret he shares with Elvis Presley, Jim Morrison, Judy Garland, and other dead celebrities.
Dead Celebrities is misleading, with the narrator Mick seeming like he has a fetish for dead celebrities, or at the least, a conspiracy theorist with his tales of a get famous quick scheme. However, as the story unfolds there are attempts to make his tale seem credible.
“Who doesn’t want to be famous?”
The London Korean Film Festival (LKFF) has launched its full programme of films and events for the upcoming 14th edition, taking place from 1st-14th November in London before embarking on the annual tour 18th-24th November.