For some people, confronting a house full of ghosts might seem a more benign situation than braving a pack of judgemental housewives, especially in the 1950s, an era haunted by impossible standards for women. Finding herself amongst the snooty wives of academics, Shirley Jackson must often have been the target of their gossip and probably preferred to imagine herself trapped in ‘Hill House’. Jackson reputedly cultivated an interesting, if fearsome, persona – prickly, idiosyncratic, unkempt, contemptuous. She was tolerated in academic circles, being a successful author in her own right.
I needed to know for myself how far Netflix’s The Haunting of Hill House had diverged from the 1959 book and if it had actually improved on it. So I read the book first and then watched the 1963 film, The Haunting, which I’d heard was a classic. I must admit I enjoyed both of them – and found them very different from one another – so I decided that so I decided that all three needed to be compared.
“You may not believe in ghosts but you cannot deny terror!”
People have been raving about this Netflix series for a while now. Even Stephen King has praised it, so I’ve given it a go. The Netflix series differs from the novel. The advantage of only being loosely based on the novel is with the differences the Netflix series has made. Eleanor “Nell” Vance, for example, was the main character in the novel, but by mid-season the dynamic changes, so you don’t know what is going to happen.
“A ghost can be a lot of things. A memory, a daydream, a secret. Grief, anger, guilt. But, in my experience, most times they’re just what we want to see.”
Waxwork Records is honored to present the 50th anniversary edition release of the original motion picture soundtrack to George A. Romero’s horror classic, Night of the Living Dead; and The Haunting of Hill House music from the Netflix horror series by The Newton Brothers.