I have to admit, straight off the bat, that I’m an absolute sucker for Agatha Christie-type whodunnits, so too is self-confessed fan, writer/director Rian Johnson, as he admitted during his talk at the recent BFI London Film Festival. He certainly demonstrates his love for the genre in his spirited and inventive homage, Knives Out. Johnson knows that half the fun lies in our recognition of the rules of the game, so he immediately provides his audience with a rambling, labyrinthine, old house in the countryside, full of curiosities and knick-knacks, a wealthy patriarch, and a large family with many secrets.
Rian Johnson is a director, writer and musician, but primarily one of the most unique, inventive and sometimes controversial, filmmakers currently active in both film and TV. In Brick, Johnson coaxed uniformly outstanding performances from a young cast, most obviously an assured and compelling turn from Joseph Gordon-Levitt, earmarking the young actor as one to be watched (a prediction that has since been eminently fulfilled). However, the movie’s most arresting strength is a script that reads almost like Shakespearean dialogue and sounds like music.