Waxwork Records is proud to present Chilling Adventures of Sabrina Original Television Score and Soundtrack Season 1 (Parts 1 & 2)! Prepare to sign away your soul to the Dark Lord, because this deluxe triple LP will tempt even the most devout.
Waxwork Records is proud to present Maniac original Netflix series soundtrack by Dan Romer. Starring Jonah Hill and Emma Stone, Maniac is a 2018 psychological dark sci-fi series that follows two strangers who connect during a mind-bending pharmaceutical trial.
“I don’t know what’s real, and what’s not.”
I needed to know for myself how far Netflix’s The Haunting of Hill House had diverged from the 1959 book and if it had actually improved on it. So I read the book first and then watched the 1963 film, The Haunting, which I’d heard was a classic. I must admit I enjoyed both of them – and found them very different from one another – so I decided that so I decided that all three needed to be compared.
“You may not believe in ghosts but you cannot deny terror!”
Netflix have done a brilliant job at exploring the Castlevania story with this season, which is twice the length of the first and has a lot more Dracula. For anyone who didn’t see the first season there’s only two things you need to know: First- Dracula has declared war on the human race after the Church killed his wife. Second- Trevor Belmont (the last descendant of the famous monster fighting family) and Sypha Belnades (a witch) have joined forces with Alucard (Dracula’s son) to defeat the vampire lord himself.
“In killing my wife, humanity has proven to me that they don’t deserve the Earth… We will scour them off the land!”
People have been raving about this Netflix series for a while now. Even Stephen King has praised it, so I’ve given it a go. The Netflix series differs from the novel. The advantage of only being loosely based on the novel is with the differences the Netflix series has made. Eleanor “Nell” Vance, for example, was the main character in the novel, but by mid-season the dynamic changes, so you don’t know what is going to happen.
“A ghost can be a lot of things. A memory, a daydream, a secret. Grief, anger, guilt. But, in my experience, most times they’re just what we want to see.”
In the original series you could really root for Sabrina as she learns witchcraft and all the negative aspects that came with it but here the stakes are much higher, not just regarding whether she will be a mortal or witch, but to be a witch she has to sign her name in Satan’s book and he could call on her at any time. There’s a stronger sense of Sabrina’s desperation to learn about her family history and what had happened to her parents, along with the struggles of being a half witch, giving the series a bit of a Harry Potter feel, even though the original Sabrina comics and 90s series predate it.
“Happy birthday, witch.”
When Netflix dropped Spanish director Paco Plaza’s new film Veronica earlier this year, I doubt even they predicted it would get the attention it’s had? Some people have dubbed it “the scariest film ever!” and it’s supposedly based on a real events, so naturally I had to check it out to see what all the fuss was about. I’m a fan of Plaza’s [•REC] movie so I knew he would cook up some decent scares.
The story is set in Madrid in 1991 and focuses on teenager Veronica.
“Someone answered your call.”
Waxwork Records is honored to present the 50th anniversary edition release of the original motion picture soundtrack to George A. Romero’s horror classic, Night of the Living Dead; and The Haunting of Hill House music from the Netflix horror series by The Newton Brothers.
“They won’t stay dead!”
Based on the Manga by Tsugumi Ohba and Takeshi Obata, Death Note is a huge franchise in Japan. The Netflix remake rather misses the entire message of the original Death Note – which is that power corrupts. It barely touches on the themes that gave the original depth and intrigue and lacks its tension-building storytelling, which left the viewer wondering where the latest development might lead, and who would win. It’s the version for people who can’t cope with subtitles.