People have been raving about this Netflix series for a while now. Even Stephen King has praised it, so I’ve given it a go. The Netflix series differs from the novel. The advantage of only being loosely based on the novel is with the differences the Netflix series has made. Eleanor “Nell” Vance, for example, was the main character in the novel, but by mid-season the dynamic changes, so you don’t know what is going to happen.
In the original series you could really root for Sabrina as she learns witchcraft and all the negative aspects that came with it but here the stakes are much higher, not just regarding whether she will be a mortal or witch, but to be a witch she has to sign her name in Satan’s book and he could call on her at any time. There’s a stronger sense of Sabrina’s desperation to learn about her family history and what had happened to her parents, along with the struggles of being a half witch, giving the series a bit of a Harry Potter feel, even though the original Sabrina comics and 90s series predate it.
“Happy birthday, witch.”
When Netflix dropped Spanish director Paco Plaza’s new film Veronica earlier this year, I doubt even they predicted it would get the attention it’s had? Some people have dubbed it “the scariest film ever!” and it’s supposedly based on a real events, so naturally I had to check it out to see what all the fuss was about. I’m a fan of Plaza’s [•REC] movie so I knew he would cook up some decent scares.
The story is set in Madrid in 1991 and focuses on teenager Veronica.
“Someone answered your call.”
Waxwork Records is honored to present the 50th anniversary edition release of the original motion picture soundtrack to George A. Romero’s horror classic, Night of the Living Dead; and The Haunting of Hill House music from the Netflix horror series by The Newton Brothers.
“They won’t stay dead!”
Based on the Manga by Tsugumi Ohba and Takeshi Obata, Death Note is a huge franchise in Japan. The Netflix remake rather misses the entire message of the original Death Note – which is that power corrupts. It barely touches on the themes that gave the original depth and intrigue and lacks its tension-building storytelling, which left the viewer wondering where the latest development might lead, and who would win. It’s the version for people who can’t cope with subtitles.