Queer for Fear re-examines genre stories through a queer lens, seeing them not as violent, murderous narratives, but as tales of survival that resonate thematically with queer audiences everywhere.
Universal Monsters Glow-in-the-Dark ReAction Figures: Glowing from the Grave! The classic movie monsters return to haunt Super7 as exclusive glow-in-the-dark versions!
“Weird Monster Escapes! Terror Seizes City! …a woman’s beauty the lure for his dangerous desires!”
Fright-Rags rings in Halloween with unique apparel from John Carpenter’s 1978 classic, plus spooky merchandise from the Universal Monsters, Fangoria, Starlog, Gorezone, and Joe Bob Briggs.
“Amazing! Startling! Shocking!”
Super7 is proud to present Wave 2 of their Universal Monsters 3.75″ ReAction Figures assortment. From the classic horror films, Revenge of the Creature (1955), Frankenstein (1931), Bride of Frankenstein (1935), Dracula (1931), The Phantom of the Opera (1925), and The Invisible Man (1933)!
“It’s alive, it’s alive, it’s alive! It’s ALIVE!”
Garageland have announced their limited edition Famous Monsters print series; including Frankenstein, The Bride of Frankenstein, The Wolf Man, and The Invisible Man – screen printed on 18” x 24” speckletone cream/kraft paper. Each print run (limited to 75 each) is signed and numbered by the designer, Lou Xray.
“Created in a weird scientist’s laboratory… from the skeletons of two women and the heart of a living girl!”
Slasher Pack IX: Monsters includes four Japanese inspired horror tees from Dracula, The Wolf Man, The Mummy and Frankenstein; available for pre-order now!
In 1818 Mary Shelley produced one of the most influential texts in literature: Frankenstein; or, The Modern Prometheus. Her novel attracted a huge degree of critical attention and gained increasing cultural importance, so much so that the circumstances of its composition has achieved a kind of mythic status. One might expect that the film would indicate how Mary was shaped by the many losses, difficulties, and disappointments of her life, but instead filmmaker Haifaa Al-Mansour tends to revel in the love story, the costumes and the poetic flights.