The South Korean film industry is known for crafting quiet, poignant dramas about family and society, but give the Koreans any genre and they’re usually guaranteed to step it up a notch. In the case of Ashfall the genre is the ‘disaster movie’. The South Korean film industry has had several previous disaster flicks – 2009’s Haeundae saw a tsunami destroy Busan, 2016’s Pandora imagined a Fukushima-like nuclear catastrophe and 2019’s Exit depicted a toxic gas cloud engulfing Seoul. However, none of these movies were on such an epic scale as Ashfall (aka Baekdusan).
The London Korean Film Festival (LKFF) has launched its full programme of films and events for the upcoming 14th edition, taking place from 1st-14th November in London before embarking on the annual tour 18th-24th November.