To celebrate the release of the next blood-soaked chapter in the most violent crime saga in movie history, Rob Zombie’s 3 from Hell, we’re heading deep into the untamed wilds of America (with a brief detour to Belgium!) to round up the nastiest backwoods butchers and most horrific hillbillies ever committed to celluloid.
Mad, bad and dangerous to know… Nicolas Cage is famous for his gloriously over-the-top outbursts, elevating average film scenes into moments of truly hysterical greatness. With his dialled-up-to-eleven delivery, manic eyes, and wild character tics, The Cage has turned in a slew of unhinged performances over the years to the delight of audiences everywhere.
“You think I’ve got BEEEEEF!?!”
Half of what makes a good horror film is a good monster. Without a believable, and ultimately scary, antagonist there’s not much for the audience to latch onto. No film studio – not even the amazing Hammer Films – has ever been able to hold a candle to the classics, and probably wouldn’t have ever existed without the Universal monster movies of the 1930s and 40s.
“Not since the beginning of time has the world beheld terror like this!”
After the success of Brian De Palma’s Carrie in 1976, there has been no shortage of films and TV miniseries based on Stephen King’s novels. And with success comes the inevitable sequel…
“Every teen thinks terrible thoughts… Hers are deadly.”
Jesse James. Billy the Kid. Calamity Jane – the Old West has a rich and iconic history that immediately conjures up the names of the cowboys and outlaws who roamed the plains of the American Frontier in the late nineteenth century. Join us as we look down the barrel of the gun at six of Hollywood’s best movies about the gunslingers of the Ol’ Wild West!
“It only matters the story they tell when you’re gone!”
The word ‘Epic’ has recently been devalued and just used to mean something that is striking or enjoyable, but the correct meaning of the word indicated narratives in the ‘Epic’ mould – those which surpass the ordinary in scale and reach heroic proportions – this applies to films too. I’m taking a look at some of the truly Epic movies from the early 1980s that showed extraordinary ambition in their story and spectacle.
“Forged by a god. Foretold by a wizard. Found by a king.”
In 1968, George A. Romero established the modern zombie film with his raw and terrifying debut the Night of the Living Dead, one of the most well-regarded and influential horror movies of all time. Now, 50 years after it all began, there’s a new entry into the undying franchise: Day the Dead: Bloodline
“They won’t stay dead!”
With the release of Avengers: Infinity War and a packed year of comic book films to come, mainly adapted from Marvel, it’s important to note it’s not just the big two [including DC Comics] that release comic book film adaptions.
“You know the difference between you and me? I make this look good.”
It may be International Women’s Day, but there are numerous female filmmakers, writers, actresses and artists that are making history every single day.
“The light that’s leaving that star right now will take a billion years to get down here. You want to know why you’ve never met a girl like me before? Because I’ll still be here when the light from that star gets down here to Earth in a billion years.”
Grimmfest, screening the best in fantastic film, took place at Vue Printworks, Manchester, UK between 5th-8th October 2017. Overall this was a brilliant event where I enjoyed all but one film and even that was only a short, so it wasn’t too bad.
“Grimm up North.”
Explicit gore was beginning to infiltrate the grindhouses of America, and ensured that employees of the British Board of Film Censors were working hard for their salaries. Strong reactions from the public, fuelled by politicians, tabloids and critics, set in motion outrage that would result in many splatter films being outright banned; especially in the United Kingdom.
“I created what no man’s mind nor woman’s womb could ever hope to achieve.”
During the videotape format war of the late 1970s and early 1980s, JVC’s VHS would compete for market share against Sony’s Betamax. Betamax was, in theory, the superior recording format but VHS would ultimately emerge as the preeminent home video format in 1986. Consumers could not justify the extra cost of a Betamax VCR, which was often more expensive that the VHS equivalent due to the higher quality construction of Betamax recorders.