Terracotta Distribution launches the UK’s first Video On Demand (VOD) platform dedicated to East Asian cinema. The new streaming service will showcase a range of new and classic genre, arthouse and indie films from across East and South East Asia.
The South Korean film industry is known for crafting quiet, poignant dramas about family and society, but give the Koreans any genre and they’re usually guaranteed to step it up a notch. In the case of Ashfall the genre is the ‘disaster movie’. The South Korean film industry has had several previous disaster flicks – 2009’s Haeundae saw a tsunami destroy Busan, 2016’s Pandora imagined a Fukushima-like nuclear catastrophe and 2019’s Exit depicted a toxic gas cloud engulfing Seoul. However, none of these movies were on such an epic scale as Ashfall (aka Baekdusan).
“No option for failure.”
The London Korean Film Festival (LKFF) has launched its full programme of films and events for the upcoming 14th edition, taking place from 1st-14th November in London before embarking on the annual tour 18th-24th November.
“Korean cinema continues to excite global audiences with a steady stream of titles that satisfy both artistic and commercial appetites.”
A Tale of Two Sisters (2003): From its eerie opening credits – indistinct ripples ebbing over green wallpaper – to the plot twists and revelations at its climax, ‘A Tale of Two Sisters’ is worthy of admission to the ranks of the best psychological horrors with greats such as ‘The Innocents’ or ‘The Others’.