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Indicator July 2018 Blu-ray Titles

Indicator July 2018 Blu-ray Titles

This July, Indicator presents a chilling selection of classic British genre cinema, all packaged in lovingly produced Limited Editions, including Blu-ray premieres and extensive collector’s booklets. On 23 July, Indicator presents Hammer Volume Three: Blood & Terror, the next volume in its acclaimed series of limited edition Blu-ray box sets dedicated to British cinema’s most iconic film production company. Also available on 23 July, Indicator presents Arthur Lubin’s Gothic thriller Footsteps in the Fog (1955).

“Close enough to kiss…or kill!”

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Indicator April 2018 Blu-ray Titles

Indicator April 2018 Blu-ray Titles

This April Indicator presents a quartet of maverick, genre-twisting dramas from some of the most unique and brilliant voices in American cinema.

Indicator presents UK Blu-ray premieres of Suddenly, Last Summer (1959), The St. Valentine’s Day Massacre (1967), Little Murders (1971), and The Effect of Gamma Rays on Man-in-the-Moon Marigolds (1972).

“These are powers and passions without precedent in motion pictures!”

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Anthropoid (2016, Czech Republic / UK / France)

Anthropoid (2016) Theatrical Poster

There are worse ways to spend an evening than in a darkened room with Cillian Murphy and Jamie Dornan, watching a movie. In this case we were watching the Premiere of the Sean Ellis WWII thriller Anthropoid in which they both star.

Ellis’s film is a labour of love – he produced, co-wrote and directed the movie and, as if wearing all those hats was not enough work, he was also his own cinematographer.

“Resistance Has a Code Name.”

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10 Essential Japanese VHS Covers

Frankenhooker (1990)

Anyone with even the slightest interest in home entertainment recognises the importance of VHS. The marketing and promotion from the independent distribution companies elevated the medium to such an extent that collectors today now happily pay significant amounts of money for a VHS tape; not for the movie itself, but for the incredible artwork/design featured on the cover.

“Prepare yourself for the darkest day of horror the world has ever known!”

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Kaiju Neutral Alignment (Part IV: A Personal Godzilla)

Kaiju Neutral Alignment

“As I watched the World Trade towers collapse on September 11, I felt guilty. The scene looked similar to those that had entertained me in many Godzilla films. But it wasn’t a fantasy, the people were real, and their fear and suffering were heartbreaking.”

Over the years Godzilla has changed roles significantly from once being the ultimate threat to Japan, to now being Japan’s protector. One could believe that this change was made to make the monster appeal to a broader audience resulting in much larger profits for the studio or perhaps it is the result of the fears Japan once had post-war becoming less and less significant?

Is the fascination in Japanese culture for science fiction Kaiju films and its symbolism born from the fears of nuclear war?

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Kaiju Neutral Alignment (Part III: Looking upon an Entire Empire)

Kaiju Neutral Alignment

How can we understand Japan’s mindset after World War II? How did they really feel after the atomic bombings and their subsequent defeat? Was any blame placed upon a particular nation, including their own, for how the war ended?

Every culture has it’s fears… Godzilla itself is a creation born from the fears of another future nuclear disaster. Modern technology of the time created nuclear weapons and from these nuclear weapons came Godzilla! Tom Miller believes however that through the film’s inherent symbolism Godzilla represents more than just the atomic bombing of Japan. In his article “Struggling With Godzilla: Unraveling the Symbolism in Toho’s Sci/Fi Films” Tom states: “In the movie they made, Godzilla represents more than the A-Bomb; Godzilla is the United States itself”, but didn’t the United States have a motive for the atomic bombings? Godzilla needed no motive… Just the animalistic desire to survive.

Is the fascination in Japanese culture for science fiction Kaiju films and its symbolism born from the fears of nuclear war?

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Kaiju Neutral Alignment (Part II: Fandom from an Academic Viewpoint)

Kaiju Neutral Alignment

William Tsutsui is an Associate Professor of History at the University of Kansas, an author of many books on Japanese history and a life-long fan of the mutant lizard having authored “Godzilla on My Mind: Fifty Years of the King of Monsters” (First published by Palgrave Macmillan in 2004).

Published to coincide with the 50th anniversary of GodzillaGodzilla on My Mind: Fifty Years of the King of Monsters” discusses how it grew into a global phenomenon thus exploring the monster’s lasting cultural impact on Japan, the United States and the rest of the world whilst a video entitled “Godzilla and Post-War Japan” uploaded onto the web for UCTV (University of California Television) presented Professor William Tsutsui arguing that the evolution of Godzilla, throughout it’s many films, reflects the social and political changes of post-war Japan and Godzilla’s lasting cultural impact on the world.

Is the fascination in Japanese culture for science fiction Kaiju films and its symbolism born from the fears of nuclear war?

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Kaiju Neutral Alignment (Is Godzilla truly the King of the Monsters?)

Kaiju Neutral Alignment

After World War II Japan’s economy made one of the most remarkable recoveries in the history of the modern world.

Arguably one of their most vital post war recoveries was that of their film industry and by 1953, the industry had entered its Golden Age.

This study of Japanese culture looks at the fascination Japanese audiences have for the symbolism found in these science fiction Kaiju movies. Are they just presented as brainless entertainment or are they born from an ingrained fear that their could perhaps be another disaster like the nuclear bombing of Hiroshima and Nagasaki in the future?

Is the fascination in Japanese culture for science fiction Kaiju films and its symbolism born from the fears of nuclear war?

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