Growing up isn’t easy and if I’m honest, I’m still having trouble coming to terms with it. But sometimes the decision to live as an eternal kidult is taken away from us, with youngsters shouldering the responsibility of primary caregiver. Such is the case for twelve year old Jonas, who finds the transition to enforced adulthood a struggle in Mara Eibl-Eibesfeldt’s bittersweet gothic fable The Spiderwebhouse. Gentle and ponderous The Spiderwebhouse is a charming portrayal, exploring the complexities of depression, and the harshness of a world as seen through a child’s eyes.
This July, Indicator presents a chilling selection of classic British genre cinema, all packaged in lovingly produced Limited Editions, including Blu-ray premieres and extensive collector’s booklets. On 23 July, Indicator presents Hammer Volume Three: Blood & Terror, the next volume in its acclaimed series of limited edition Blu-ray box sets dedicated to British cinema’s most iconic film production company. Also available on 23 July, Indicator presents Arthur Lubin’s Gothic thriller Footsteps in the Fog (1955).
“Close enough to kiss…or kill!”
It’s a while since we’ve seen a cinematic anthology of horror tales, but Ghost Stories revives that tradition with a trio of supernatural stories in the style of English portmanteau movies of the 1960s and the Ealing classic Dead of Night. The film’s writer-directors Andy Nyman and Jeremy Dyson have adapted Ghost Stories from their successful stage show. (Nyman is an actor, writer and magician who has devised productions for Derren Brown; Jeremy Dyson is actor, writer and co-creator of The League of Gentlemen) Their film offers a tribute to an array of old-school horror tropes.
“We have to be very careful what we choose to believe.”
What a delightful coincidence that the young actress in Gore Verbinski’s latest feature A Cure for Wellness should be named Mia Goth. Never has an appellation been more appropriate.
A Cure for Wellness proves to be an audacious, intoxicating, feverish piece of cinema – administering copious doses of Freudian symbolism and classic Gothicism. If you’re not a fan of things Gothic, or if you suffer from ichthyophobia, this may not be the film for you…