Continuing from our previous interview, Attack from Planet B talked with Michael Fausti regarding his first feature film EXIT, and the various influences that have helped shape him as a filmmaker.
The Ingress Tapes and Dead Celebrities are both witty, engaging and at times disturbing pieces and are effective for their conciseness. With their tight running times and often dream-like, art house aesthetic, Michael Fausti’s works act like a short sharp adrenaline shot.
“Real life can be truly horrific and a script always needs a strong foundation. Rooting a narrative in real life events or happenings is a good starting point.”
Meet Mick, he’s a psychopath who wants to be famous and he’s found a way of achieving his dream – but Mick is no ordinary killer, he knows a secret. A secret he shares with Elvis Presley, Jim Morrison, Judy Garland, and other dead celebrities.
Dead Celebrities is misleading, with the narrator Mick seeming like he has a fetish for dead celebrities, or at the least, a conspiracy theorist with his tales of a get famous quick scheme. However, as the story unfolds there are attempts to make his tale seem credible.