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An Interview with Director Michael Fausti, The Ingress Tapes, Dead Celebrities, EXIT

An Interview with Director Michael Fausti, The Ingress Tapes, Dead Celebrities, EXIT

The Ingress Tapes and Dead Celebrities are both witty, engaging and at times disturbing pieces and are effective for their conciseness. With their tight running times and often dream-like, art house aesthetic, Michael Fausti’s works act like a short sharp adrenaline shot.

“Real life can be truly horrific and a script always needs a strong foundation. Rooting a narrative in real life events or happenings is a good starting point.”

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Dead Celebrities (2018, UK) Review

Dead Celebrities (2018, UK)

Meet Mick, he’s a psychopath who wants to be famous and he’s found a way of achieving his dream – but Mick is no ordinary killer, he knows a secret. A secret he shares with Elvis Presley, Jim Morrison, Judy Garland, and other dead celebrities.

Dead Celebrities is misleading, with the narrator Mick seeming like he has a fetish for dead celebrities, or at the least, a conspiracy theorist with his tales of a get famous quick scheme. However, as the story unfolds there are attempts to make his tale seem credible.

“Who doesn’t want to be famous?”

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