Relic (2020, Australia / USA) BFI London Film Festival 2020 Review
There is horror and pity in witnessing the mind of a loved one as it unravels and fragments. This is the misfortune of Kay who is called by concerned neighbours when her elderly mother Edna disappears from her isolated home in the woods. Taking her own daughter Samantha with her for moral support, they set off to the old family house to see what might have become of Grandma Edna. The first feature from Japanese-Australian Natalie Erika James’, Relic manifests its horrors slowly, perhaps influenced in part by the bleak emotional mood of J-horror family drama.