Continuing from our previous interview, Attack from Planet B talked with Michael Fausti regarding his first feature film EXIT, and the various influences that have helped shape him as a filmmaker.
Party’s like there’s no tomorrow with Ravers, the blissfully violent and drug-addled horror set in the shady underground of illegal raves! A group of clubbers descend on an abandoned warehouse for a night of twisted techno and hedonistic drug-taking, but the illegal rave takes a blood-stained turn for the worse when the whacked-out partygoers discover a case of energy drink ‘Renergize’. Little do they know, the experimental drink caused a factory worker to butcher his colleagues months earlier and soon the party descends into violent carnage.
“If you’re alive in the morning then you weren’t actually there…”
The political landscape has evolved or, perhaps that should be mutated into a picture so grotesque that, ten years ago horror fans wouldn’t have been able to conjure up our present reality from even the darkest corners of their imagination. One of horror’s most powerful and moving attributes is that it is able to reflect what is occurring within society at any given moment. Along with a shift towards nationalism in the recent years, the notion of what scares us at the movies has gravitated away from slasher villains and horrifying monsters to a deep rooted fear of people…
“Leaving… It’s harder than you think.”
This March, Indicator presents spies, pirates, swashbuckling adventure, and a revenge-driven magician, courtesy of Hammer Volume Five: Death & Deceit, the fifth in its limited-edition, box-set series devoted to British cinema’s most iconic film production company, and the sensational thrills of Vincent Price in 3D – John Brahm’sThe Mad Magician presented for the first time on Blu-ray in the UK!
“Astounding! Astonishing! Amaazing! So different you’ll hardly believe your eyes!”
A Zombie Christmas Musical… Anna and the Apocalypse has it all, and no doubt that’s why it took 6 years to make after the release of the short film Zombie Musical. Sadly one of the writers (Ryan McHenry) died before this 2017 Scottish film was released and it never received a UK cinema run. So unless you are a fan of the genre who travels to independent festivals you may never have heard of it. But, you should do. The zombies and special effects are great with plenty of gore and some really interesting fight scenes; particularly in the bowling alley which is where my favourite kill takes place.
“She’ll Slash. She’ll Stab. She’ll Sing.”
The Ingress Tapes and Dead Celebrities are both witty, engaging and at times disturbing pieces and are effective for their conciseness. With their tight running times and often dream-like, art house aesthetic, Michael Fausti’s works act like a short sharp adrenaline shot.
“Real life can be truly horrific and a script always needs a strong foundation. Rooting a narrative in real life events or happenings is a good starting point.”
‘There’s a few things I’d like to get off my mind before I go’ confesses the deep voice of an unseen man with a South London accent. Before us is a desk with three objects laid out on its surface; a reel to reel tape recorder, a telephone and an ashtray. In The Ingress Tapes we will hear the detailed and confessional musings of an unidentified criminal but intriguingly neither they nor their interviewer are ever identified, a detail which adds to the film’s overall atmosphere of ambiguity. It would appear that the tapes are first-hand accounts of a catalogue of brutal and shocking crimes.
“Fantasy, confession or evidence?”
Meet Mick, he’s a psychopath who wants to be famous and he’s found a way of achieving his dream – but Mick is no ordinary killer, he knows a secret. A secret he shares with Elvis Presley, Jim Morrison, Judy Garland, and other dead celebrities.
Dead Celebrities is misleading, with the narrator Mick seeming like he has a fetish for dead celebrities, or at the least, a conspiracy theorist with his tales of a get famous quick scheme. However, as the story unfolds there are attempts to make his tale seem credible.
“Who doesn’t want to be famous?”
This November, Indicator returns to Hammer’s vaults to compile the much-anticipated fourth volume in their limited edition box set series devoted to the iconic British film production company, Hammer Volume Four: Faces of Fear, and seeks out an often-overlooked entry in late-60s British cinema, Joseph Losey’s dark melodrama Secret Ceremony (1968), starring Hollywood superstars Elizabeth Taylor, Mia Farrow and Robert Mitchum.
“They are the lurking unseen evil you dare not face alone!”
Tattoo artist Bob has just found out he has Parkinson’s – a disease that will end his life long career. With the clock ticking, he has become obsessed with creating one final masterpiece before his body deteriorates. Just then he meets Katia, a young Polish woman with perfect, unblemished, untouched skin. He needs his final canvas, so he offers Katia a free tattoo; his final work-of-art. However, Katia likes the skin she is in and rejects his offer. The two characters collide in Bob’s tattoo parlour, with Katia’s life set to be turned on its head, in this exciting tale of creativity corrupted by madness.
“His masterpiece. Her body.”
Insecure fashion photographer Adrian decides he has had enough rejection, ridicule, and being ignored. He decides to get his revenge by concocting a photoshoot with several of the attractive models who abused him. Only in this photoshoot it’s survival of the fittest, as he pits girl against girl in more and more extreme scenarios until all of them are dead! But this demented photographer is in for a surprise… Six Hot Chicks in a Warehouse promises lots of brutal action and gore, as one man’s sick fantasy for revenge turns into a bloody, all-female fighting tournament!
“A bloody knockout.”
On 28 October, Indicator presents long-overdue Blu-ray premieres of four powerful and uncompromising films. First, two worldwide Blu-ray premieres: the tense Brit noir Time Without Pity (1957); and the epic Young Winston (1972). Next, two UK premiere editions: Badge 373 (1973), directed by Howard Koch, is based on the life of New York detective Eddie Egan; and award-winning director Alan Parker’s Birdy (1984).