Japanese wannabe actress Mayumi is abducted by an absolute nut-job called Vendenski and his hysterically seedy cult – Capital Messiah. They’re feared throughout the criminal community for reasons that are beyond me, but nobody seems to be able to touch them, until Mayumi’s brother, Kenji, travels over in search of his missing sister. Oh yeah, I forgot to mention Kenji is a Karate Master, wouldn’t you just know it? This now sets the wheels in motion for Kenji to stroll around L.A. all brooding and a fish out of water, but cracking skulls as he’s doing it.
Jesse James. Billy the Kid. Calamity Jane – the Old West has a rich and iconic history that immediately conjures up the names of the cowboys and outlaws who roamed the plains of the American Frontier in the late nineteenth century. Join us as we look down the barrel of the gun at six of Hollywood’s best movies about the gunslingers of the Ol’ Wild West!
“It only matters the story they tell when you’re gone!”
A24 has shared this brand new trailer for Ari Aster’s “Scandinavian folk horror film”, Midsommar, starring Florence Pugh and Jack Reynor as a young American couple with a troubled relationship on the brink of falling apart. This relationship is about to be tested further when they embark on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. You see, the insular villagers only celebrate Midsommar every 90 years, and this land of eternal sunlight is about to take a sinister turn…
“It’s sort of a crazy festival… Special ceremonies and dressing up… Sounds fun.”
Lloyd Kaufman premiered Troma’s lesbian love story, Return to Return to Nuke ‘Em High AKA Vol. 2, at the prestigious New York City Film Noir Cinema in April. Tickets sold out almost instantly, but thankfully the good folks at Film Noir Cinema have added one last special encore screening on Saturday, May 18th!
“We’ve been mutated… What do we have to be afraid of?”
Killer Friends features a spectacularly god-awful human being and his best friends’ attempts to put him out of their misery. These attempts, being amateurish and unplanned, backfire in various slapstick ways and the viewer is invited both to sympathise with the frustrated would-be homicides and wonder when they’re going to get their cackhanded act together and put the little shit down. It becomes apparent, however, that their potential victim knows more than he is letting on… Even now, thinking about him, I can feel my blood pressure rising.
“I’m here to love and support my girlfriend… and kill Scott!”
The new official poster for A24’s Midsommar, from Ari Aster – director of Hereditary – has been released and I’m psyched up for when it arrives in cinemas 3 July. Dani and Christian are a young American couple with a relationship on the brink of falling apart. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in a land of eternal sunlight takes a sinister turn…
“Let the festivities begin.”
The word ‘Epic’ has recently been devalued and just used to mean something that is striking or enjoyable, but the correct meaning of the word indicated narratives in the ‘Epic’ mould – those which surpass the ordinary in scale and reach heroic proportions – this applies to films too. I’m taking a look at some of the truly Epic movies from the early 1980s that showed extraordinary ambition in their story and spectacle.
“Forged by a god. Foretold by a wizard. Found by a king.”
On 22 July, Indicator delves into the darkest recesses of British horror cinema of the 1970s and 80s in order to unleash six terrifying tales on Blu-ray for the first time in the UK. First out of the shadows is Bloody Terror: The Shocking Cinema of Norman J Warren, 1976-1987. Next up is Richard Marquand’s 1979 bloody chiller The Legacy; a horrifying tale of supernatural revenge.
“Conceived in violence, carried in terror, born to devastate and brutalize a universe!”
I needed to know for myself how far Netflix’s The Haunting of Hill House had diverged from the 1959 book and if it had actually improved on it. So I read the book first and then watched the 1963 film, The Haunting, which I’d heard was a classic. I must admit I enjoyed both of them – and found them very different from one another – so I decided that so I decided that all three needed to be compared.
“You may not believe in ghosts but you cannot deny terror!”
The more our technology improves, the harder it is to make some classic horror tropes believable. The main culprit here is the cell phone. Everyone has one, and they are constantly in use. For those of us with smart phones, we are able to control almost every aspect of our lives through this little device. As our technology evolves, so must the horror genre evolve to incorporate its use. With smart phones giving us easy access to the internet and a seemingly unending number of apps to choose from, it’s no wonder that dating apps have become so popular.
“It’s a killer app.”
It’s a truth universally acknowledged that The Matrix is a great science-fiction movie, but there is more to it than that. For its 20th anniversary I’m going to take a look at all the elements that made The Wachowski’s movie such a cinematic milestone and how it raised the bar for all subsequent genre movies. When The Matrix was released in 1999 it opened up new vistas of imagination in screen science-fiction – a domain of cyber existence that no film had yet explored. It was a sci-fi movie that changed the genre. It was, in fact, a movie that changed film-making in general.
The fight for the future begins.”
John Harris works for a property/land development firm in New York City. After his wife Samantha has a miscarriage, his life begins to change. This unfortunate event has traumatized her and John thinks that some time away from the city would do both of them a world of good. Writer/director Courtney Fathom Sell created a film that is less about shocks and horrific moments and more about building an imposing sense of fear. From the moment the Harris’ move into their new house, there is an air of unnerving trepidation.