
Rear Window was the movie that introduced the young Ren to the perverse genius of Alfred Hitchcock. I remember as a child, being irresistibly drawn into the voyeuristic position of his protagonist and fascinated by the goings-on in the windows he was observing. Hitchcock claimed not to care about the subject, morality or message in his movies, but only about the manner in which his stories were told, but his attraction to the psychological was one of his most obvious storytelling strengths.
“Through his rear window and the eye of his powerful camera he watched a great city tell on itself, expose its cheating ways…and murder!”
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