Lloyd Kaufman premiered Troma’s lesbian love story, Return to Return to Nuke ‘Em High AKA Vol. 2, at the prestigious New York City Film Noir Cinema in April. Tickets sold out almost instantly, but thankfully the good folks at Film Noir Cinema have added one last special encore screening on Saturday, May 18th!
Shed of the Dead is a zombie thriller, from director Drew Cullingham. One part Shaun of the Dead and one part 28 Days Later, the film follows two slackers, who whittle their days away playing Dungeons & Dragons, painting figurines, and dreaming of their fantasy hero, the battle mage Casimir the Destroyer. As life pressures build up for Trevor and his agoraphobic friend Graham, events take an unexpected turn, when the undead turn up in their little gardening spot. Now, it is a fight for survival, in a real zombie apocalypse – this May!
“An unlikely hero’s tale of blood, sweat, and shears!”
In Climax, a troupe of young dancers gathers in a remote and empty school building to rehearse. Following an unforgettable opening performance lit by virtuoso cinematographer Benoît Debie and shot by Noé himself, the troupe begins an all-night celebration that turns nightmarish as the dancers discover they’ve been pounding cups of sangria laced with potent LSD. Tracking their journey from jubilation to chaos and full-fledged anarchy, Noé observes crushes, rivalries, and violence amid a collective psychedelic meltdown.
“You despised I Stand Alone. You hated Irreversible. You loathed Enter the Void. You cursed Love. Now try Climax.”
Joe Ahearne is a British writer and director whose TV miniseries The Replacement was shown on the BBC in 2017 to a warm reception. I caught up with him to chat about this and his other project, the horror/thriller film called B&B.
“This was the first time I’d written something where I was determined that the gay guys were absolutely going to be the stars, and it was sort of a genre piece as well. I was definitely interesting in doing something that had some kind of fantasy or horror.”
Killer Friends features a spectacularly god-awful human being and his best friends’ attempts to put him out of their misery. These attempts, being amateurish and unplanned, backfire in various slapstick ways and the viewer is invited both to sympathise with the frustrated would-be homicides and wonder when they’re going to get their cackhanded act together and put the little shit down. It becomes apparent, however, that their potential victim knows more than he is letting on… Even now, thinking about him, I can feel my blood pressure rising.
“I’m here to love and support my girlfriend… and kill Scott!”
B&B takes as its inspiration a court case that received quite widespread publicity about six years ago for being the sort of thing that makes you go, “seriously, in this day and age?” The set-up is that a homosexual couple have fought and won a court case against a bed and breakfast that discriminated against them by refusing them a double room – a legal battle which really did take place and which was eventually decided in the Supreme Court, because there seems to be a disappointing abundance of legal funding for bigoted wankers.
“They made their bed… Now they have to die in it.”
The new official poster for A24’s Midsommar, from Ari Aster – director of Hereditary – has been released and I’m psyched up for when it arrives in cinemas 3 July. Dani and Christian are a young American couple with a relationship on the brink of falling apart. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in a land of eternal sunlight takes a sinister turn…
“Let the festivities begin.”
I needed to know for myself how far Netflix’s The Haunting of Hill House had diverged from the 1959 book and if it had actually improved on it. So I read the book first and then watched the 1963 film, The Haunting, which I’d heard was a classic. I must admit I enjoyed both of them – and found them very different from one another – so I decided that so I decided that all three needed to be compared.
“You may not believe in ghosts but you cannot deny terror!”
The more our technology improves, the harder it is to make some classic horror tropes believable. The main culprit here is the cell phone. Everyone has one, and they are constantly in use. For those of us with smart phones, we are able to control almost every aspect of our lives through this little device. As our technology evolves, so must the horror genre evolve to incorporate its use. With smart phones giving us easy access to the internet and a seemingly unending number of apps to choose from, it’s no wonder that dating apps have become so popular.
“It’s a killer app.”
Charles Bukowski once said “Some people never go insane. What horrible lives they must lead!” Clearly this is not the way for the characters in Pazucus: Island of Vomit and Despair, as whilst they seem to act and look crazed and insane their lives are blighted by horrors all around them. Their insanity is reflected in Gurcius Gewdner’s film which is somewhat of a strange piece of underground genre cinema, art house horror, b-movie monster horror, and deliberately maddening genre flick that is deliberately frustrating and uneasy to pin point as to what it actually is about. The plot, if there is one to focus on, follows Carlos who is constantly vomiting…
“You won’t be coming home!”
John Harris works for a property/land development firm in New York City. After his wife Samantha has a miscarriage, his life begins to change. This unfortunate event has traumatized her and John thinks that some time away from the city would do both of them a world of good. Writer/director Courtney Fathom Sell created a film that is less about shocks and horrific moments and more about building an imposing sense of fear. From the moment the Harris’ move into their new house, there is an air of unnerving trepidation.
“What kind of sick people would do something like this?”
The feeding frenzy begins! Critters Attack!, the newest entry in the bloody, live-action, horror/sci-fi film series invades earth on 23 July, 2019, on Blu-ray, DVD and Digital from Warner Bros. Home Entertainment. Fans can also watch the fur-ocious creatures’ television debut on SYFY, scheduled to air in October. Dee Wallace, who starred in the original Critters as Helen Brown, will sink her teeth into the franchise for a second time.