She’s so authoritative. So confident! The more you work with Batgirl, the more amazing she seems. How does she do it? Local Boogeyman disintegrated perfectly, but never reappeared. Where’s he gone? Into space… a stream of atoms… It’d be funny if life weren’t so sacred.
Set in both stunning and imposing locations with tenacious female leads, Jack Clayton’s The Innocents (1961) and Herk Harvey’s Carnival of Souls (1962) offer an intimate and highly psychological examination of the female mind whilst ruminating heavily and hauntingly on the age-old themes of sex and death.
On 18 May, Indicator shines a spotlight on four uncompromising, under-the-radar gems of American cinema from the sixties, seventies and eighties. First, Joseph L Anderson’s exquisite feature-film debut Spring Night, Summer Night (1967). Next, Indicator present two counter-cultural offerings: Melvin Van Peebles’ Watermelon Man (1970) and; Bill L Norton’s Cisco Pike (1972). Concluding the round-up of May’s new releases, Indicator present the UK Blu-ray premiere of Paul Mazursky’s Moscow on the Hudson (1984).
Your Local Boogeyman makes you shiver and shake! Quiver and quake! The night brings terror! Blood chilling fear!
The Topps Company has licensed Mars Attacks to SideKick Lab, who will develop, produce, and publish a new series of Mars Attacks trading cards, which is currently crowdfunding on Kickstarter.
This March, Indicator presents spies, pirates, swashbuckling adventure, and a revenge-driven magician, courtesy of Hammer Volume Five: Death & Deceit, the fifth in its limited-edition, box-set series devoted to British cinema’s most iconic film production company, and the sensational thrills of Vincent Price in 3D – John Brahm’sThe Mad Magician presented for the first time on Blu-ray in the UK!
I don’t think it’s nice, you laughin’. You see, Local Boogeyman don’t like people laughing. He gets the crazy idea you’re laughin’ at him. Now if you apologize, like I know you’re going to, I might convince him that you really didn’t mean it.
On 27 January, Indicator begins the new year with two offbeat classics of American 60s and 70s cinema and a pair of uncompromising British dramas from the 80s and 90s.
Curtis Harrington’s acclaimed Night Tide (1961); William Richert’s brilliantly off-kilter Winter Kills (1979); Paul Greengrass’ unflinching Resurrected (1989); and last but far from least, Peter Mullan’s jet-black comedy, Orphans (1998).
A spectacle on a scale unfathomable to the human mind, the monsters of Toho rise. Mondo is proud to announce the first in a series of officially licensed offerings with the legendary film company Toho Co., Ltd.
Released on Blu-ray for the first time in the UK, Project X features a secret agent brought back from cryogenic suspension after surviving a plane crash…. and acclaimed horror directors Jen and Sylvia Soska, aka The Twisted Twins, are back with their next nightmare – the bloody, brutal and deranged Rabid!
The London Korean Film Festival (LKFF) has launched its full programme of films and events for the upcoming 14th edition, taking place from 1st-14th November in London before embarking on the annual tour 18th-24th November.
This November, Indicator returns to Hammer’s vaults to compile the much-anticipated fourth volume in their limited edition box set series devoted to the iconic British film production company, Hammer Volume Four: Faces of Fear, and seeks out an often-overlooked entry in late-60s British cinema, Joseph Losey’s dark melodrama Secret Ceremony (1968), starring Hollywood superstars Elizabeth Taylor, Mia Farrow and Robert Mitchum.
