I needed to know for myself how far Netflix’s The Haunting of Hill House had diverged from the 1959 book and if it had actually improved on it. So I read the book first and then watched the 1963 film, The Haunting, which I’d heard was a classic. I must admit I enjoyed both of them – and found them very different from one another – so I decided that so I decided that all three needed to be compared.
The Dark Knight returns to Mondo Gallery this May with a brand new show eight decades in the making. Mondo Gallery’s 80 Years of Batman celebrates the history of the caped crusader, along with his allies and infamous rogues gallery of villains, with eighteen classic, iconic and fan-favorite Batman comic book cover images produced as screen printed posters. Opening night for 80 Years of Batman will be held Friday, 17 May, and the show will run through 25 May.
This Japanese inspired sci-fi tee from The Twilight Zone is available for pre-order now – for 24 hours only!
On 22 April, Indicator presents a selection of classic films, directed by and starring some of Hollywood cinema’s most celebrated talents, all available on Blu-ray for the first time: Dragonwyck (1946); The Snake Pit (1948); The Reckless Moment (1949); and Lilith (1964).
Fright-Rags are back with t-shirts, socks, enamel pins, and lounge pants from such beloved properties as House of 1000 Corpses, Night of the Living Dead, RoboCop, Teen Wolf, and Vampira.
Indicator pride themselves on championing great British cinema and, as part of this ethos, 18 March 2019 will see the release of their first restorations. Scanned in 4K from the original negatives, their presentations of The Triple Echo and Immaculate Conception mark a new development in the Indicator range which will ensure that even more unjustly neglected gems will appear on Blu-ray for the first time ever. March’s selection also includes Anthony Mann’s A Dandy in Aspic, and John Dexter’s The Virgin Soldiers.
Indicator presents a genre-spanning quartet of London-set films, all starring, written and directed by some of Britain’s most celebrated and iconic talents, and released on Blu-ray for the first time. First, two uncompromising thrillers from the more conservative half of the 1960s: The Third Secret (1964); and Psyche 59 (1964). Next, two films which explore sexual freedom as the ‘Swinging’ decade comes to a close: Take a Girl Like You (1970); and A Severed Head (1971).
Fright-Rags has explored sour ground to unearth new merchandise from Pet Sematary, Night of the Living Dead and Die Hard. If that wasn’t enough Fright-Rags have also created Dead Neighbors, a short film that imagines what may have inspired George A. Romero as a young boy.
Waxwork Records is honored to present the 50th anniversary edition release of the original motion picture soundtrack to George A. Romero’s horror classic, Night of the Living Dead; and The Haunting of Hill House music from the Netflix horror series by The Newton Brothers.
In 1968, George A. Romero established the modern zombie film with his raw and terrifying debut the Night of the Living Dead, one of the most well-regarded and influential horror movies of all time. Now, 50 years after it all began, there’s a new entry into the undying franchise: Day the Dead: Bloodline
On 10 December, Indicator presents William Castle at Columbia, Volume Two, the second of their limited edition blu-ray box sets featuring four weird and wonderful films from the master showman’s illustrious career with Columbia Pictures: Zotz! (1962); 13 Frightened Girls (1963); The Old Dark House (1963); and Strait-Jacket (1964). Indicator also presents Joan Crawford in another of her outrageous 1960s horror roles – Jim O’Connolly’s dark and twisted Berserk (1967).
This November Indicator presents a quartet of classic British films from the 1960s. First up are two films from the heyday of the Swinging Sixties: Silvio Narizzano’s Georgy Girl (1966); and Bryan Forbes’ The Wrong Box (1966).
In addition, Indicator present two films from the end of the decade: Albert Finney’s directorial debut, Charlie Bubbles (1968); and Michael Powell’s stunning, yet much-maligned Age of Consent (1969).
