Inspired by 1940s film noir and Universal Horror classics, Attack of the Cat People, is about a group of scientists who discover the remains of meteorite floating in the middle of the Pacific Ocean. Little do they know they are not alone… Watch as our heroes try to fight and escape their worst nightmare!
In the latest installment of the Heads! mystery, private detective Steve Datsun and his partner Blake Higgins track down ‘Vortex Face’, a doom metal band whose performances end in death and destruction. They’ve kidnapped a young musician and their sinister underground tour appears to be linked to the ‘Heads!’ gang – a group of girls wearing oversized animal heads pulling off heists across London.
“But who are those girls…with those HEADS!”
With more Cesar Awards to her name than any other French actor and a host of Academy Award nominations, Isabelle Adjani is perhaps the most celebrated French screen star of all time. In 1983 she hit a career defining high, in Jean Becker’s much-lauded crime classic One Deadly Summer (L’Été meurtrier), a potent blend of neo-noir and erotic thriller that picked up four Cesar Awards including Best Actress for Adjani.
“What do you want? To find out which of the bastards was your father?”
On 22 April, Indicator presents a selection of classic films, directed by and starring some of Hollywood cinema’s most celebrated talents, all available on Blu-ray for the first time: Dragonwyck (1946); The Snake Pit (1948); The Reckless Moment (1949); and Lilith (1964).
“I remembered once reading in a book, that long ago they used to put insane people into pits full of snakes. I think they figured that something which might drive a normal person insane, might shock an insane person back into sanity.”
In the second outing of the Heads! universe, private detective Steve Datsun becomes embroiled in the mysterious and seedy underworld surrounding a metal band who have kidnapped a young man. Has their victim already become a corpse, or is he being brainwashed to join the band and help them carry out their murderous plot?
“And who are those girls…with those HEADS!”
I’m not a fan of action films. You know the ones, purely ‘Action’. I hate car chases. DESPISE ‘em! I hate things exploding left, right and centre. I hate overly-long gunfights. They annoy me and make me all fidgety. John Wick is an action/thriller, directed by two stunt men and stars Keanu Reeves. “WHY ARE YOU WATCHING THIS, YOU FUCKING MASOCHIST?!!” I hear you shout, and you’d be right to ask. I dunno. But I’m SO glad that I did! John Wick is an ex-hitman, grieving for his recently deceased wife. When the son of a mob boss takes a liking to Wick’s car and decides to take it, bad things happen.
“Revenge is all he has left.”
Waxwork Records is honored to announce the long sold out 40th Anniversary soundtrack release of director Martin Scorsese’s 1976 cinematic masterpiece, Taxi Driver – composed by the legendary Bernard Herrmann – is back on sale.
“On every street in every city, there’s a nobody who dreams of being a somebody.”
On 20 August, Indicator presents a selection of thrilling and powerful films: Fritz Lang’s Ministry of Fear (1944) stars Ray Milland in a classic tale of murder and suspense; Ronald Neame’s The Odessa Files (1974) is a chilling espionage thriller; Costa-Gavras’ Oscar-winning Missing (1982) is a true-life drama of a father’s quest to uncover the truth of his son’s disappearance; and David Mamet’s Oleanna (1994) is a daring adaptation of his controversial and ever-relevant stage-play.
“We thought you’d been killed.”
On 18 June, Indicator presents a collection of films by the legendary Samuel Fuller, as well as two uncompromising works directed by and starring some of American cinema’s most iconic names.
Samuel Fuller at Columbia, 1937-1961 brings together the maverick director’s hard-hitting crime dramas, along with a series of films made for Columbia Pictures which were based on stories by Fuller.
“If it’s not love, what is it?”
In You Were Never Really Here, Lynne Ramsay explores the themes of abuse, violence, trauma and the corruption inherent in the powerful elite. She has re-fashioned the narrative and plot without diminishing its brutal impact, and elevated what might have been a conventional revenge flick by sheer filmmaking skill. The action of the film accelerates and ultimately concludes without necessarily developing in the conventional way. In You Were Never Really Here, Ramsay has managed to translate her singular vision into a complex, but compelling, feature film.
“I want you to hurt them.”
Indicator will be giving one of international cinema’s most acclaimed works its long-overdue UK Blu-ray premiere, and delving further into the vaults to unearth more criminally underseen British gems.
Available 19 March 2018, Indicator proudly presents Michelangelo Antonioni’s The Passenger, John Guillermin’s tense Town on Trial, Dick Clement’s Otley, and Stephen Frears’ auspicious feature debut, Gumshoe.
“I used to be somebody else…but I traded him in.”
In 1992 Albert Pyun directed his 14th feature length film since debuting in 1982 with the sword & sorcery fantasy, The Sword and the Sorcerer. At the time of writing this review, Pyun has directed over 50 movies, so to say that Pyun, as a director, was (and still is) prolific is an understatement… He is a fucking machine!
From the moment the title appears, until the end-credits roll, Nemesis is a sequence of non-stop, over-the-top action set pieces woven together by a myriad of influences.