Jackie Chan arrived on American soil with hopes of becoming a superstar in the West, and his first ever Hollywood project as a leading man certainly provided him with a notable director in Robert Clouse. Whilst Battle Creek Brawl was not quite as epoch defining, this is still prime Jackie – a classic bout of chopsocky on Anglicised soil, ready to punch its way into your collection in this 2K HD restoration from 88 Films.
Slasher Pack XI: Tarantino Vol. 2 includes four Japanese inspired horror tees from Inglorious Basterds, The Hateful Eight, Kill Bill: Vol. 1 and Vol. 2; available for pre-order now!
“This is what you get for fucking around with Yakuzas!”
Helmed by the iconic and groundbreaking director Lo Wei, Jackie Chan was at his martial art peak by the time he took on the leading man role in Dragon Fist (1979). To Kill with Intrigue (1977), however, is undoubtedly one of the martial arts legend’s finest moments! Only 88 Films could have brought a 2K restoration of Dragon Fist and To Kill with Intrigue to UK Blu-ray as part of their ever-expanding and acclaimed Asian cinema collection!
“A new era in kung-fu films!”
Waxwork Records is thrilled to announce the deluxe vinyl release of Teenage Mutant Ninja Turtles original motion picture score by John DuPrez. With a highly anticipated live-action motion picture released in 1990, Teenage Mutant Ninja Turtles proved to be the biggest pop-culture property in the world for the time.
“Forgiveness is divine, but never pay full price for late pizza.”
I’m not a fan of action films. You know the ones, purely ‘Action’. I hate car chases. DESPISE ‘em! I hate things exploding left, right and centre. I hate overly-long gunfights. They annoy me and make me all fidgety. John Wick is an action/thriller, directed by two stunt men and stars Keanu Reeves. “WHY ARE YOU WATCHING THIS, YOU FUCKING MASOCHIST?!!” I hear you shout, and you’d be right to ask. I dunno. But I’m SO glad that I did! John Wick is an ex-hitman, grieving for his recently deceased wife. When the son of a mob boss takes a liking to Wick’s car and decides to take it, bad things happen.
“Revenge is all he has left.”
“You must learn to be faster than any punch or kick, that way won’t get hit.” Comet TV, Charge! and Attack from Planet B are delivering a pulse-pounding cyber-slam, to give one randomly chosen person the offensive maneuvers to win awesome movie merchandise. “Action has a new hero.”
Competition ends Tuesday, April 3rd 2018
Continuing from our previous interview, Attack from Planet B talked with Liam O’Donnell about his previous projects for Hydraulx VFX, and the various influences that have helped shape him as a filmmaker, and his well-received follow-up to Skyline; the aptly titled Beyond Skyline.
“You can’t really get away from Aliens when you are making a movie like this… There is a lot of the hive/powerplant sequence vibe with the eggs, the methylcellulose slime, and the latex webbing.”
After co-writing and producing Skyline in 2010, Liam O’Donnell spent the better half a decade working on his directional debut; the well-received follow-up, Beyond Skyline. Attack from Planet B talked with Liam about his experience on both movies, and the challenges associated with making a hybrid genre film.
“In the first cut that I showed the producers, during the end fight scene – the martial art scene – they were like, this is just alien knife porn!”
Released in 2017, seven years after it’s predecessor Skyline, the aptly titled Beyond Skyline sees Liam O’Donnell take over the directorial reigns from Greg and Colin Strause, in his directional debut.
Beyond Skyline was unwarranted. It is a sequel no one expected, and perhaps, a sequel no one wanted. Even as someone that appreciated the first movie, Beyond Skyline went beyond (pun intended) my expectations entirely. It works because it is so wild…so out there… Beyond Skyline is an experience.
“Survive? We did a hell of a lot more than survive… We evolved.”
Back in the late 80s/early 90s I was not allowed to watch the many horror films that adorned the plastic shelving of my local video store. Some might say that is wise parenting, considering I was only 5 or 6 at the time. But strangely action films were deemed ok to view (such as substandard fare from Cannon Pictures and Guild Video).
“Look, there’s a lot of us working to make a bad world better. Remember that.”
Out of all the bizarre trends the ’80s hoisted upon pop culture, ninjas have to be among the most prolific. Suddenly, any two-bit action flick schlock factory received a license to render their product “mysterious” and “exotic,” just by decking out half their actors in black long johns. Never one to pass on a fad that could net them some extra bucks, the Cannon Group gladly hopped aboard the martial arts bandwagon, putting out a series of cult cheesefests that included 1985’s American Ninja.
“The deadliest art of the Orient is now in the hands of an American.”
Of all the bad films I have had the guilty pleasure (and at times displeasure) to watch, none have be as sentimentally close to me as Steve Wang’s live action take on the Japanese Manga; Guyver. A sequel to 1991’s The Guyver (itself a mediocre Americanized take on the source material), Guyver: Dark Hero was everything its predecessor should have been. Granted many might think this is just Power Rangers with blood and gore, but for its minuscule budget it contains impressive practical effects and brilliantly choreographed wirework.