Half of what makes a good horror film is a good monster. Without a believable, and ultimately scary, antagonist there’s not much for the audience to latch onto. No film studio – not even the amazing Hammer Films – has ever been able to hold a candle to the classics, and probably wouldn’t have ever existed without the Universal monster movies of the 1930s and 40s.
Shudder recently announced their September line up and among the titles listed were two films from indie genre distributor Terror Films. The two films included: the highly anticipated Hell House LLC III: Lake of Fire, plus a fan and critic favorite that seemed to have all but disappeared from digital platforms – Adam Robitel’s award-winning feature debut, The Taking of Deborah Logan. The Taking of Deborah Logan will be released on Shudder beginning September 30, 2019. The official release date for the wider platform release is expected to be announced soon.
“Evil lives within you.”
Troma Entertainment presents a sexy september screening of 1982’s madcap, through the ages sex comedy Stuck on You! on September 17th at Film Noir Cinema in Brooklyn, NYC and The Grand Gerrard in Toronto, Canada at 9:00PM!
“It’s boys, it’s girls, it’s crazy… It’s a stuck’n good time!”
Local Boogeyman has opened ‘The Book of Evil’ and in one minute, terrible things are going to happen! *screams* …ok, less than a minute. This t-shirt is only available for 24 hours! 🔪🔪🔪
“It gets bad on Friday the 13th, but it gets worse on Saturday the 14th.”
Waxwork Records is proud to present Friday the 13th Part VI: Jason Lives original motion picture soundtrack by Harry Manfredini! Available for the very first time on vinyl, and sourced from the original 1986 master tapes!
“I’ve seen enough horror movies to know any weirdo wearing a mask is never friendly!”
Watch the new official trailer for A24’s The Lighthouse; a hypnotic and hallucinatory tale of nautical psychodrama that brought festival audiences at Cannes and Toronto to their feet, from Robert Eggers – the visionary filmmaker behind modern horror masterpiece The Witch.
The Lighthouse stars Willem Dafoe and Robert Pattinson as two lighthouse keepers on a remote and mysterious New England island in the 1890s; arriving in cinemas, 18 October.
“He believed that there was some enchantment in the light. Went mad, he did.”
In what could be perceived as an alternate reality; Tiger Man will see the king of rock ‘n’ roll Elvis Presley seeking revenge for the murder of martial arts legend Bruce Lee.
“If you come at The King, you better not miss!”
Volumes of Blood is a horror anthology movie featuring five short films, each helmed by a different director. The overarching story focuses on a college study group in a public library trying to create a new urban legend as part of a class project. As in just about every anthology, some of the stories were better than others, owing to variances in acting, cinematography, and screenplay. Yes, it’s a low-budget film, but that’s not where it falls short: what failed the movie was the writing.
Nevertheless, it’s an entertaining film, one worth your time.
“Some libraries make a killing!”
Austin-based cinema-eatery Alamo Drafthouse Cinema is celebrating one of America’s greatest cultural icons and cinema’s greatest action franchises with an explosive Rambo five-film marathon event at twenty-three locations across the United States. Audiences will go from First Blood to Last Blood, beginning with 1982’s First Blood, then continuing with Rambo: First Blood Part II (1985), Rambo III (1988), Rambo (2008), and then concluding with the new Lionsgate/Millennium Media blockbuster finale, Rambo: Last Blood.
“This marathon is for the ultimate Rambo fan and there’ll be so much to see…”
The Butcher is one of the many, many horror movies that seem to have been inspired directly by the murderous antics of one Mr Edward Gein. For those inexplicably unfamiliar with his work, Mr Gein was a serial murderer who haunted Plainfield, Wisconsin in the late 1940s and early 50s. Though he was from a small town and his “career” lasted barely half a decade, Gein made himself a name in the serial killer community for the – how shall we put it? – joie de travailler with which he went about his work. Almost all of the tropes beloved of the serial killer movie – the suit made of human skin, the mock-crucifixions, the skull crockery – have come from the details of Ed Gein’s trial.
“You are what’s on the menu…”
Conrad Radzoff is a horror icon passed his peak, consigned to resurrecting his celebrated cinematic vampire role for a tasteless advertisement for dentures. After he dies, a group of devotees break into his neon-lit, lavish mausoleum and, in a rather misguided attempt to celebrate the life of their idol, nick his body for a farewell shindig at their place – who wouldn’t?! Unfortunately for them, Radzoff was a dab hand at the ol’ black magic and rises from the dead, seeking payback on those who disturbed him.
“There was Bela Lugosi, Lon Chaney, and Conrad Ragzoff! They were all stars who lived and died. But only one returned…”
This November, Indicator returns to Hammer’s vaults to compile the much-anticipated fourth volume in their limited edition box set series devoted to the iconic British film production company, Hammer Volume Four: Faces of Fear, and seeks out an often-overlooked entry in late-60s British cinema, Joseph Losey’s dark melodrama Secret Ceremony (1968), starring Hollywood superstars Elizabeth Taylor, Mia Farrow and Robert Mitchum.