With more Cesar Awards to her name than any other French actor and a host of Academy Award nominations, Isabelle Adjani is perhaps the most celebrated French screen star of all time. In 1983 she hit a career defining high, in Jean Becker’s much-lauded crime classic One Deadly Summer (L’Été meurtrier), a potent blend of neo-noir and erotic thriller that picked up four Cesar Awards including Best Actress for Adjani.
I adored Species as a teenager, having persuaded my parents to rent it on VHS back in 1998/99. They trusted me with the horror genre, and I doubt they realised how sexually charged this genre flick actually was. Yeah, the VHS cover featured Natasha Henstridge in a state of seductive transformation – a extraterrestrial-human hybrid – but it also featured headshots of Forest Whitaker, Alfred Molina, Michael Madsen, and the Academy award-winning Ben Kingsley! How were they supposed to know that they had just rented their thirteen-year-old son smut!
“Be Intrigued. Be Seduced. Be Warned.”
On 27 May, Indicator presents an eclectic selection of unhinged, genre-twisting films from some of British cinema’s greatest filmmakers, and starring some of the world’s most celebrated actors: St. John L. Clowes’ No Orchids for Miss Blandish (1948), which was condemned upon its original release for its depiction of violence; Jack Gold’s Who? (1974); Richard Loncraine’s Bellman and True (1987); and the psycho-sexual drama Track 29 (1988).
“They kidnapped his son. They forced him to steal 14 million dollars. Then they made their biggest mistake. They trusted him.”
Waxwork Records is thrilled to present Cruising original motion picture soundtrack and score. Available for the first time, the original 1980 soundtrack release has been expanded to include the complete film music.
“There’s a lot you don’t know about me.”
Depeche Mode, Gary Numan, Morecambe and Wise, Sooty(!), Charles Bronson, Laura Dern, Johnny Rotten, Iggy Pop, Clive Barker… Apart from all being huge stars across various mediums (especially Sooty), they all share one specific thing in common… Barbie Wilde.
“At the Hellbound audition, I met Tony Randel, we had a chat, and the next day, I got the job. It’s funny, because I nearly didn’t go to the audition, as I thought that they were looking for someone to play the Chatterer character and I found that particular Cenobite far too scary in the first film.”
“They’re back from the grave and ready to party!”
It would not be an exaggeration to call Beyond the Valley of the Dolls one of the strangest movies ever produced. Looking to cash in on Jacqueline Susann’s deliciously trashy novel (and subsequent trashy big studio film) the movie is by turns funny, amateurish, gross, distasteful, misogynistic, exploitative and brilliant.
There are so many back-stories and interesting behind the camera plot-lines that Russ Meyer himself would be hard pressed to invent similar tales. Distinguished film critic Roger Ebert helped write the screenplay, surprising because, while Ebert would praise [the] occasional exploitation film, he generally held a dim view of horror and slasher cinema.
“This is not a sequel. There has never been anything like it!”
In the pantheon of horror and exploitation geniuses, no star shines brighter than Herschell Gordon Lewis’s. He invented the splatter/gore genre single handedly and was a true auteur when it came to his approach to producing his films.
“Nothing so appalling in the annals of horror!”PRESS PLAY ►
Adapted from the Bram Stoker novel of the same name, The Lair of the White Worm was written and directed by Ken Russell (The Devils, Gothic), and released in 1988 by Vestron Pictures. Based upon the North East English ‘Lambton Worm’ legend, revolving around John Lambton and his battle with a gigantic ‘worm’, The Lair of the White Worm was the last novel released by Stoker before his death in 1912.
“Now, if you’re sitting comfortably, I shall tell you why you must not be afraid to die. To die so that the god may live is a privilege.”
Your Local Boogeyman has created a small batch of classic and distressed tees strictly for ADULTS ONLY.
“An unusual story of unnatural love and desire…so bold, so shocking – it must be shown to ADULTS ONLY!”
I corpi presentano tracce di violenza carnale; literally translated as The Bodies Bear Traces of Carnal Violence, is an Italian giallo directed by Sergio Martino. Released in the United States as Torso in 1973, Martino’s artistic direction combined feverish sexuality and visually striking violence into a film that predates the American slasher subgenre. Perhaps then, the slasher owes a lot more to the Italian giallo than it is usually given credit for?
“Enter… if you dare the bizarre world of the psychosexual mind.”
Star of David: Beautiful Girl Hunter is considered one of the best films in the Japanese sub-genre of roman-pinku films. The term roughly translates to romantic-sexploitation, as opposed to the pinku eiga films which focused on sex frequently combined with violence.
The film was made by one of the bigger studios in Japan, and it shows in the production values and acting. However, the term “romantic” is used in a far different manner than Western audiences will recognize.