Troma Entertainment are proud to present a special screening of 1984’s Ellie – a sexy, dark, backwoods romp that hits you like a shot of moonshine – with actress and model Sheila Kennedy in attendance!
Put down the whippits and prepare to W.I.P. it as Troma Entertainment satisfies your thirst for revenge with special screenings of 1987’s women in prison thriller, Lust for Freedom, on TROMonday, November 11th at Film Noir Cinema in Brooklyn, NYC and Troma Tuesday, November 12th at The Grand Gerrard Theatre in Toronto, Canada at 9:00 PM!
“Sometimes a citizen has to take the law into her own hands!”
Troma Entertainment presents another ‘Sexy September’ screening: 1983’s teen-centric sex comedy The First Turn-On! on September 24th at Film Noir Cinema in Brooklyn, NYC and The Grand Gerrard in Toronto, Canada at 9:00PM!
“It’s always the wildest!”
Troma Entertainment presents a ‘Sexy September’ screening of 1982’s madcap, through the ages sex comedy Stuck on You! on September 17th at Film Noir Cinema in Brooklyn, NYC and The Grand Gerrard in Toronto, Canada at 9:00PM!
“It’s boys, it’s girls, it’s crazy… It’s a stuck’n good time!”
Based upon Sébastien Japrisot’s 1977 novel of the same name, L’Été meurtrier – or as it is known in English speaking territories, One Deadly Summer – stars Isabelle Adjani as Eliane “Elle” Wieck; a troubled young woman who settles with her family into the small rural town in the south of France.
“All he wants is to get her stupid knickers off, and all that she wants is that he manages. And that he doesn’t get his fingers caught in the zip. Just to forget for a moment that he is the son… of that piece of shit bastard father of his.”
With more Cesar Awards to her name than any other French actor and a host of Academy Award nominations, Isabelle Adjani is perhaps the most celebrated French screen star of all time. In 1983 she hit a career defining high, in Jean Becker’s much-lauded crime classic One Deadly Summer (L’Été meurtrier), a potent blend of neo-noir and erotic thriller that picked up four Cesar Awards including Best Actress for Adjani.
“What do you want? To find out which of the bastards was your father?”
I adored Species as a teenager, having persuaded my parents to rent it on VHS back in 1998/99. They trusted me with the horror genre, and I doubt they realised how sexually charged this genre flick actually was. Yeah, the VHS cover featured Natasha Henstridge in a state of seductive transformation – a extraterrestrial-human hybrid – but it also featured headshots of Forest Whitaker, Alfred Molina, Michael Madsen, and the Academy award-winning Ben Kingsley! How were they supposed to know that they had just rented their thirteen-year-old son smut!
“Be Intrigued. Be Seduced. Be Warned.”
On 27 May, Indicator presents an eclectic selection of unhinged, genre-twisting films from some of British cinema’s greatest filmmakers, and starring some of the world’s most celebrated actors: St. John L. Clowes’ No Orchids for Miss Blandish (1948), which was condemned upon its original release for its depiction of violence; Jack Gold’s Who? (1974); Richard Loncraine’s Bellman and True (1987); and the psycho-sexual drama Track 29 (1988).
“They kidnapped his son. They forced him to steal 14 million dollars. Then they made their biggest mistake. They trusted him.”
Waxwork Records is thrilled to present Cruising original motion picture soundtrack and score. Available for the first time, the original 1980 soundtrack release has been expanded to include the complete film music.
“There’s a lot you don’t know about me.”
Depeche Mode, Gary Numan, Morecambe and Wise, Sooty(!), Charles Bronson, Laura Dern, Johnny Rotten, Iggy Pop, Clive Barker… Apart from all being huge stars across various mediums (especially Sooty), they all share one specific thing in common… Barbie Wilde.
“At the Hellbound audition, I met Tony Randel, we had a chat, and the next day, I got the job. It’s funny, because I nearly didn’t go to the audition, as I thought that they were looking for someone to play the Chatterer character and I found that particular Cenobite far too scary in the first film.”
It would not be an exaggeration to call Beyond the Valley of the Dolls one of the strangest movies ever produced. Looking to cash in on Jacqueline Susann’s deliciously trashy novel (and subsequent trashy big studio film) the movie is by turns funny, amateurish, gross, distasteful, misogynistic, exploitative and brilliant.
There are so many back-stories and interesting behind the camera plot-lines that Russ Meyer himself would be hard pressed to invent similar tales. Distinguished film critic Roger Ebert helped write the screenplay, surprising because, while Ebert would praise [the] occasional exploitation film, he generally held a dim view of horror and slasher cinema.