Slasher Pack X: Tarantino includes four Japanese inspired horror tees from Reservoir Dogs, True Romance, Pulp Fiction and Jackie Brown; available for pre-order now!
Matthew Holness is best know for his turn as Garth Marenghi, the darkly comic horror novelist that spoofs trashy 70’s British television, but here in his directorial feature debut there’s nothing humorous, in fact things are extremely grim indeed. What formula he does stick to is keeping with the style of trashy 70’s British horror films.
“Mother, Father, what’s afoot? Only Possum, black as soot. Mother, Father, where to tread? Far from Possum and his head. Here’s a bag, now what’s inside? Does he seek or does he hide? Can you spy him, deep within? Little Possum, black as sin.”
Waxwork Records is honored to present the 50th anniversary edition release of the original motion picture soundtrack to George A. Romero’s horror classic, Night of the Living Dead; and The Haunting of Hill House music from the Netflix horror series by The Newton Brothers.
“They won’t stay dead!”
“Blood is life!” To usher in the spooky happenings of Halloween 🎃 Comet TV, Charge! and Attack from Planet B are giving you the chance to win Nosferatu, Babylon 5 and CHiPs merchandise. Of course, it will cost you some effort… a little sweat and… perhaps… a little blood.
Competition ends Sunday, November 4th 2018
In 1968, George A. Romero established the modern zombie film with his raw and terrifying debut the Night of the Living Dead, one of the most well-regarded and influential horror movies of all time. Now, 50 years after it all began, there’s a new entry into the undying franchise: Day the Dead: Bloodline
“They won’t stay dead!”
Garageland have announced their limited edition Famous Monsters print series; including Frankenstein, The Bride of Frankenstein, The Wolf Man, and The Invisible Man – screen printed on 18” x 24” speckletone cream/kraft paper. Each print run (limited to 75 each) is signed and numbered by the designer, Lou Xray.
“Created in a weird scientist’s laboratory… from the skeletons of two women and the heart of a living girl!”
On 10 December, Indicator presents William Castle at Columbia, Volume Two, the second of their limited edition blu-ray box sets featuring four weird and wonderful films from the master showman’s illustrious career with Columbia Pictures: Zotz! (1962); 13 Frightened Girls (1963); The Old Dark House (1963); and Strait-Jacket (1964). Indicator also presents Joan Crawford in another of her outrageous 1960s horror roles – Jim O’Connolly’s dark and twisted Berserk (1967).
“Your front row seat to murder!”
This long sleeve, Japanese inspired sci-fi tee from The Silence of the Lambs (made in collaboration with METHsyndicate) is available for pre-order now – for 24 hours only!
“Believe me, you don’t want Hannibal Lecter inside your head.”
“Why do you wanna fight?” Comet TV, Charge! and Attack from Planet B can’t sing or dance, so we are gonna give one randomly chosen person the strength to win Space 1999, Godzilla and Rocky merchandise instead. “You’re gonna eat lightnin’ and you’re gonna crap thunder!”
Competition ends Tuesday, October 2nd 2018
There’s an old saying about how you can choose your friends but you can’t choose your family. You also can’t generally choose your neighbors, and sometimes they can be even harder to avoid than family. It can be a real risk to try to befriend a neighbor, because if it all goes wrong somehow your only option is to pack up and move, and that’s a hassle nobody wants. Still, in Under the Tree, both sets of neighbors would have been much better off if they’d fled to opposite sides of the country. Admittedly Iceland isn’t a very big country, but that might have worked.
“Two families. One tree. A bloody mess.”
This November Indicator presents a quartet of classic British films from the 1960s. First up are two films from the heyday of the Swinging Sixties: Silvio Narizzano’s Georgy Girl (1966); and Bryan Forbes’ The Wrong Box (1966).
In addition, Indicator present two films from the end of the decade: Albert Finney’s directorial debut, Charlie Bubbles (1968); and Michael Powell’s stunning, yet much-maligned Age of Consent (1969).
“The wildest thing to hit the world since the mini-skirt!”
At the outset of American Animals the words “This is not based on a true story,” appear onscreen, then three of those words disappear leaving the statement – “This is a true story.” Although American Animals is a heist film at its core, British documentarian Bart Layton, in an impressive feature debut, relies closely on a factual account of real events which took place in 2004. Intercut with the dramatization of the robbery played by actors, are interviews with the actual men who committed the crimes. This makes for an interesting and unusual combination of documentary and dramatic fiction.