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WRINKLES THE CLOWN in US Theaters and On Demand 4 October 🤡 Courtesy of Magnet Releasing

WRINKLES THE CLOWN in US Theaters and On Demand 4 October Courtesy of Magnet Releasing

In late 2014, a low-res video of a person in a clown mask emerging from underneath a sleeping child’s bed appears on YouTube. The description below the video claims that the clown is named “Wrinkles”, that he lives in southwest Florida, and that he’s been hired by the child’s parents to frighten her for misbehaving. The video goes viral. Soon, more mysterious videos of Wrinkles scaring children appear online, along with a phone number to hire him for “behavioral services.” Wrinkles becomes internet lore… But who is Wrinkles, and why is he doing this?

“He’s just a phone call away.”

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Shanghai Film Week Comes to Liverpool, UK Celebrating Twin Status Between the Cities 14th-17th October 2019

Shanghai Film Week Comes to Liverpool, UK Celebrating Twin Status Between the Cities 14th-17th October 2019

To coincide with the Liverpool-Shanghai 20th Sister Cities Anniversary Celebration, recognising the twin status between Liverpool and Shanghai, Shanghai Film Week is proud to announce its first film festival event.

“The development of Shanghai’s film industry is exciting and film enthusiasts from around the world will certainly want to pay attention.”

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London Korean Film Festival 2019 Celebrates A Century of Korean Cinema

London Korean Film Festival 2019 Celebrates A Century of Korean Cinema

The London Korean Film Festival (LKFF) has launched its full programme of films and events for the upcoming 14th edition, taking place from 1st-14th November in London before embarking on the annual tour 18th-24th November.

“Korean cinema continues to excite global audiences with a steady stream of titles that satisfy both artistic and commercial appetites.”

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Fifteen Years of Fantastic Fest: Celebrating the Weird and Wonderful Genre Films from Across the World!

Fantastic Fest 2019

Reaching the milestone of fifteen years, Fantastic Fest blasts off with the widest selection of weird and wonderful genre films gathered from across the world to screen in Austin, TX, from September 19-26, 2019, bringing a diverse array of global filmmakers for a highly-controlled explosion of curated cinematic mayhem.

“Our fifteenth year is a one-of-a-kind of celebration of the cinema we champion: brilliant and out-there.”

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Apollo 11 (2019, USA) Sundance London 2019 Review

Apollo 11 (2019)

“Hey, we missed the whole thing!” was Buzz Aldrin’s quip to Neil Armstrong as the first men to walk on the Moon watched a recording of the TV coverage of the Apollo 11 mission while sitting in quarantine following their return to Earth. Now, fully half a century after the event, Mr Aldrin and the rest of us can see more of “the whole thing” than ever before thanks to Apollo 11, director Todd Douglas Miller’s astonishing new documentary. Miller and his team have created a cinematic experience whose scale and impact are worthy of the momentous events it depicts.

“A cinematic event 50 years in the making.”

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Fright-Rags’ Halloween 🎃 Season Apparel: TRICK ‘R TREAT, GENERAL MILLS MONSTERS, STEPHEN KING & HAUNTERS: THE ART OF THE SCARE

Fright-Rags' Halloween Season Apparel: TRICK 'R TREAT, GENERAL MILLS MONSTERS, STEPHEN KING & HAUNTERS: THE ART OF THE SCARE

It may not be October yet, but the Halloween season is already upon us. Set the spooky scene with Fright-Rags’ new apparel from Trick ‘r Treat, General Mills Monsters, Stephen King, and Haunters: The Art of the Scare.

“Werewolves, zombies and demons of every variety. They’ve all descended on the normally sleepy town of Warren Valley, Ohio. Where the holiday and all of its strange traditions are taken very seriously.”

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Support FREDHEADS (A NIGHTMARE ON ELM STREET Documentary) on Indiegogo

Support FREDHEADS (A NIGHTMARE ON ELM STREET Documentary) on Indiegogo

Just as A Nightmare on Elm Street continues to thrive many years after its 1984 release, fans continue to share their stories on how the film has affected them. FredHeads is a documentary that shines a spotlight on the fervent fans within this passionate community.

“The Nightmare on Elm Street franchise has done more than impact my life, it has saved my life. In my darkest times I have turned to Elm Street. It is a survival story, it is my best friend, it is my comfort, and it is my home.”

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Celebrate a Happy Troma Now Year: Andrew W.K. Party Safari & Rednecks

Andrew W.K.

2017 is almost upon us, so why not celebrate a Happy Troma Now Year with Rock Stars, Animals, The Devil, and Leprechauns!? Yes, Troma Now will be streaming two new world premieres in January that will help you to forget 2016. Nick Box and Chris Hines’ documentary Andrew W.K. Party Safari and John Birmingham’s southern comedy Rednecks.

“This was no ordinary safari…this was supposed to be a party safari! You won’t believe your senses!”

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Faces of Death II (1981, USA)

Faces of Death II (1981) VHS Cover

After the unexpected success of the original Faces of Death John Alan Schwartz began working on his second mondo feature; Faces of Death II.

Like it’s 1978 predecessor Faces of Death II, was written and directed by John Alan Schwartz under the pseudonyms ‘Alan Black’ and ‘Conan Le Cilaire’ respectively. Michael Carr also returns to narrate the proceedings as Dr. Francis B. Gröss.

“When make believe is just not enough!”

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10 Essential Japanese VHS Covers

Frankenhooker (1990)

Anyone with even the slightest interest in home entertainment recognises the importance of VHS. The marketing and promotion from the independent distribution companies elevated the medium to such an extent that collectors today now happily pay significant amounts of money for a VHS tape; not for the movie itself, but for the incredible artwork/design featured on the cover.

“Prepare yourself for the darkest day of horror the world has ever known!”

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Faces of Death (1978, USA)

Faces of Death (1978) VHS Cover

The Original Faces of Death, as it would later be known as, is a controversial pseudo-documentary on death containing real stock footage of accidents, suicides, autopsies, and executions. But, when the stock footage was unable to tell the entire story, the filmmakers created scenes of staged violence, editing it together to create a coherent narrative.

“During the past 20 years I know that my compulsion to understand death was much greater than just an obsession. My dreams have dictated my mission. But now it is time to witness the final moment, to discover the circle that forever repeats ifself. The end of the beginning or the beginning of the end? I’ll leave that decision to you.”

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