Waxwork Records is excited to announce the deluxe Krampus original motion picture soundtrack composed by Douglas Pipes – an hour of twisted holiday music with nods to Gremlins and Poltergeist.
From November 30th to December 2nd, Lloyd Kaufman will be a guest at Kentucky’s Supercon, where he’ll be screening the long-awaited Return to Return to Nuke ‘Em High AKA Vol. 2. Joining him will be writer, director, and documentarian Heidi Moore, known for her critically praised, LGBTQ-centric horror film Dolly Deadly, which is being distributed by Troma Entertainment.
“Michael Herz and I believe Heidi Moore will be up there with Troma alums Matt Stone and Trey Parker, James Gunn, Eli Roth and the many other stars who have emerged from the loins of Troma Entertainment!“
Siôn Griffiths’ Humanoids from Outer Space – an homage to the atomic age of cinema – continues with Chapter 4: The Chief that Fell to Earth and Chapter 5: The Day Wales Stood Still.
“I served in World War II and there was no Creature from the Black Lagoon shooting no ray-guns at me.”
Broke Horror Fan presents two brand-new VHS tapes loaded with Halloween horror: the indie horror anthology Dead by Midnight (11pm Central) and a double feature of two horror shorts, Dark Roast and Root of All Evil.
“Punk’s not dead… yet.”
Waxwork Records is proud to present the original motion picture score to Drag Me to Hell, composed and conducted by famed composer Christopher Young; and the original film score to The ‘Burbs, featuring a classic and memorable score by legendary composer Jerry Goldsmith.
“Even nice people can go to hell.”
Waxwork Records is thrilled to announce the deluxe vinyl release of Teenage Mutant Ninja Turtles original motion picture score by John DuPrez. With a highly anticipated live-action motion picture released in 1990, Teenage Mutant Ninja Turtles proved to be the biggest pop-culture property in the world for the time.
“Forgiveness is divine, but never pay full price for late pizza.”
Siôn Griffiths’ Humanoids from Outer Space – a throwback to the science fiction B movies of the 1950s – continues with Chapter 2: 20 Million Miles to Wales and Chapter 3: Attack of the Humanoids.
“If I don’t save the world, then who the hell will?”
Marko Mäkilaakso, director and co-writer of the sci-fi comedy/horror film It Came from the Desert, was kind enough to let us ask him some questions about his movie, his background, and his thoughts about horror and filmmaking.
“It Came from the Desert is inspired by the films I grew up with and love. It’s actually the most perfect film to show who I am as director. That’s why this is my most personal film.”
Marko Mäkilaakso’s movie It Came from the Desert evokes the creature features of the 1950s by way of the late 80s, making it a cheesy, nostalgia-packed thrill ride from start to finish. Inspired by the 1989 video game by Cinemaware, it never once takes itself too seriously, and keeps you watching with clever effects, over-the-top action sequences, and a number of hysterically funny lines that are sure to offend. What more could you ask from a monster movie?
“Okay, listen we need your help. We’re trapped by this giant ant… A giant freakin’ ant!”
Walking the line between new wave and synthwave, The Video Nasties sound has been described like a Frankenstein-esque meld of Oingo Boingo and John Carpenter.
“We’re two horror geeks who consumed too many ’80s horror films as impressionable youth and find ourselves now compelled to recreate the synth-based spooky melodies of the period.”
On 10 December, Indicator presents William Castle at Columbia, Volume Two, the second of their limited edition blu-ray box sets featuring four weird and wonderful films from the master showman’s illustrious career with Columbia Pictures: Zotz! (1962); 13 Frightened Girls (1963); The Old Dark House (1963); and Strait-Jacket (1964). Indicator also presents Joan Crawford in another of her outrageous 1960s horror roles – Jim O’Connolly’s dark and twisted Berserk (1967).
“Your front row seat to murder!”
Written and directed by Siôn Griffiths, Humanoids from Outer Space is a throwback to the science fiction B movies of the 1950s; an homage to Ed Wood, Tommy Wiseau, and the atomic age of cinema.