Fright Night Part 2 would only work if its main vampire – following the iconic Jerry Dandrige – was strong. Regine Dandridge, the sister of Jerry, was played wonderfully by Julie Carmen. Sultry, sexy with a huge element of danger, Carmen truly became part of the Fright Night universe with this performance.
It’s extremely rare that a director creates a sequel to a short film, but director David Teixeira obviously felt he wasn’t finished with his tale of ‘Bloody Mary’.
The first film told the story of three friends, Jess, Alyson and Chloe who spend the Halloween weekend at their friend’s country home partying. Late into the night they accidentally summon the legend of ‘Bloody Mary’ after speaking her name three times. We now pick up the story with Jess staying with her friend Pierre, trying to recover from the incident the year before.
To achieve a successful short film firstly you need to have a solid idea. Having such a short space of time to tell an entire story is an extremely difficult feat, but when it’s done right it’s a joy.
Girls Night from director David Teixeira tells the story of 3 friends, Jess, Alyson & Chloe, who are kindly permitted to use their friend’s home for the weekend and have a girls only Halloween party. It’s here that the legend of ‘Bloody Mary’ comes up…
“Bloody Mary. Bloody Mary. Bloody Mary.”
Coming into this movie I’ll be honest, I wasn’t sure what to expect. I absolutely love monster movies, I always have. Kong: Skull Island is a total throwback to the fun, action adventure movies we got throughout the 80’s and early 90’s. There’s so much to like here and it’s hard not to enjoy, so even though it’s had respectable reviews, it certainly hasn’t taken the world by storm. Don’t get me wrong it’s not going to win any awards, but it’s clear that wasn’t it’s aim. It’s main purpose is to give the audience a nostalgic, happy time and to entertain.
“All hail the King.”
Don Coscarelli will always be famous with horror fans for his Phantasm series, but for me personally there’s two films that truly define him as a director. The wonderfully underrated 2002 horror/comedy Bubba Ho-Tep and the 1982 action/fantasy tale The Beastmaster.
The Beastmaster is a piece of trash cinema that is often forgotten for how amazing it is. It epitomises what sword & sorcery films should be. It’s shambolic storyline and ropey acting only adds to its charm.