When you pick up Jasper Bark’s short novel Quiet Places, know that you’ll be holding a stick of dynamite in your hands. It’s got a slow-burning fuse, but when it goes off, you will be completely blown away. Billed as cosmic folk horror, a classification of genre fiction heretofore reserved for this book alone, so far as I can tell, Quiet Places tells the story of Sally, her lover David, and the Scottish town of Dunballan.
Does comparing Pat Tremblay’s Atmo HorroX to John Boorman’s classic Zardoz elevate one, diminish the other, or condemn both? Both films are psychedelic, trippy, and include protagonists that wander around in outlandish costumes that show rather more skin than most of us would like to see. Both are infused with timely messages, expressed through grotesquerie. Despite the dubious value of the venture, reams could be written deconstructing both films. If nothing else, we know that movies like Atmo HorroX are extremely rare…
“Engineering the strings of your mind puzzle.”
Marko Mäkilaakso, director and co-writer of the sci-fi comedy/horror film It Came from the Desert, was kind enough to let us ask him some questions about his movie, his background, and his thoughts about horror and filmmaking.
“It Came from the Desert is inspired by the films I grew up with and love. It’s actually the most perfect film to show who I am as director. That’s why this is my most personal film.”
Marko Mäkilaakso’s movie It Came from the Desert evokes the creature features of the 1950s by way of the late 80s, making it a cheesy, nostalgia-packed thrill ride from start to finish. Inspired by the 1989 video game by Cinemaware, it never once takes itself too seriously, and keeps you watching with clever effects, over-the-top action sequences, and a number of hysterically funny lines that are sure to offend. What more could you ask from a monster movie?
“Okay, listen we need your help. We’re trapped by this giant ant… A giant freakin’ ant!”
The first in a trilogy of novels by Australian author Phil Hore, The Order of the Dragon introduces us to two very different characters: the learned, dryly humorous Amun Galeus, and his hulking friend Sebastian Vulk. While this might sound like standard bickering buddies fare, the novel doesn’t descend into cliché: it’s a fun, pulp horror piece that starts off slow, but once it hits its stride, rockets like a freight train.