Directed by the legendary, prolific William Friedkin and starring Linda Blair, 1973’s The Exorcist remains one of the most important, and terrifying films in cinematic history. So, without further adieu, Waxwork Records presents the deluxe soundtrack vinyl re-issue of The Exorcist.
Bloody Muscle Body Builder in Hell pays tribute to the enduring spirit of Sam Raimi’s Evil Dead series, and meshes the SFX style of Nobuhiko Obayashi’s cult horror Hausu (1977). Evil Dead and Asian horror fanatics, or anyone else with any interest in the splatter subgenre should own this movie!
Do you want to get your severed hands on this Japanese curiosity? Attack from Planet B and Terror Cotta have three copies of Bloody Muscle Body Builder in Hell available on DVD to giveaway.
Competition extended until Sunday 8th October 2017
The concept of the ‘beautiful female corpse’ is by no means a new idea in the realm of gothic horror. In fact, it has been a stalwart of the genre since it began. Edgar Allan Poe was particularly partial to it and Bram Stoker took it to its natural conclusion when he hit upon the novel idea of having alluring dead ladies start walking about and seducing people.
Norwegian director André Øvredal follows up his found-footage indie sleeper Troll Hunter, with English-language debut The Autopsy of Jane Doe – a gory excursion through a dead woman’s innards.
“Every body has a secret.”
In Rings we have the [second] long anticipated sequel to The Ring, the English language remake of the hugely successful Japanese horror Ringu. We also have a kind of Samara origin story, but this storyline seems to be less a labour of love, and instead, rather laboured.
Ringu, the celebrated Japanese horror movie that started it all, was released in 1998. We should remember that in the dark ages of the nineties, VHS tapes and creepy death-threat calls through landlines were not as yet, a form of ancient technology.
“First you watch it. Then you die.”
Directed by Shinichi Fukazawa, Bloody Muscle Body Builder in Hell is a Japanese splatter film that pays tribute to the enduring spirit of director Sam Raimi’s The Evil Dead (1981) and Evil Dead II (1987).
Known as the ‘Japanese Evil Dead’ to those few that have actually managed to get their hands on this no-budget horror flick outside of Japan, Bloody Muscle Body Builder in Hell meshes the SFX style of Hausu (1977) with the comedy and splatter associated with The Evil Dead series.
During the videotape format war of the late 1970s and early 1980s, JVC’s VHS would compete for market share against Sony’s Betamax. Betamax was, in theory, the superior recording format but VHS would ultimately emerge as the preeminent home video format in 1986. Consumers could not justify the extra cost of a Betamax VCR, which was often more expensive that the VHS equivalent due to the higher quality construction of Betamax recorders.
“Decadence is their fate.”
‘If you love someone, set them free’ as the saying goes – if only the protagonists of these horror flicks would take that saying to heart, instead of selfishly trying to continue to pester their loved ones beyond the grave. If they could just leave their relations to rest in peace, it would really make everyone’s life, or afterlife, so much easier. Certainly Elise, Lyn Shale’s character in the Insidious movies, has found nothing but trouble having to trawl around ‘The Further’ for the relatives of the people who beseech her for help. Luckily for them, she’s a rather soft hearted and plucky type.
“The darkest chapter goes back to the beginning.”
Even as children, most of us have a perverse interest in the gruesome. This is not something new to modern culture, no matter how shocked we might be regarding the explicit nature of current video games and movies. Classic myths and fairy tales were tapping into human nature’s odd fascination with the macabre and grotesque since stories began. No contemporary writer has been more attuned to this strange proclivity than Stephen King, and the popularity of his work is a testament to his insight.