This film was typical of the drive-in features Claudia Jennings appeared in the early 1970’s, with one notable exception. Although Truck Stop Women demonstrated what audiences would identify as the quintessential Claudia Jennings character, this was no working class, feminist hero Karen Walker from Unholy Rollers… In this film, Claudia commits about every original sin and violates a few new ones. She could easily be considered one of the screen’s best villains- a living nightmare, having no feelings for fellow human beings, and perhaps the sexiest sociopath of all time.
One cannot discuss 1976’s most controversial theatrical release without first discussing the mythology of the ‘snuff’ film itself. You see, a snuff film is a filmed sequence that depicts the actual murder of another human being for distribution and financial exploitation. Morbid, yes?
Then came along Snuff: “The film that could only be made in South America…where life is cheap!”
The history behind Snuff however, is far more interesting than the film itself.
“Are the killings in this film real? You be the judge!”
During the videotape format war of the late 1970s and early 1980s, JVC’s VHS would compete for market share against Sony’s Betamax. Betamax was, in theory, the superior recording format but VHS would ultimately emerge as the preeminent home video format in 1986. Consumers could not justify the extra cost of a Betamax VCR, which was often more expensive that the VHS equivalent due to the higher quality construction of Betamax recorders.