Terror Threads has made an impact with their official merchandise for horror genre favorites; both cult classic and modern macabre; continuing their impressive run with new The Texas Chainsaw Massacre and The Houses October Built collections.
Fright-Rags will help you maintain that Halloween spirit throughout the year with treats from John Carpenter’s Halloween, Michael and Peter Spierig’s Jigsaw and General Mills’ monster cereals.
“The trick is to stay alive!”
Grimmfest, screening the best in fantastic film, took place at Vue Printworks, Manchester, UK between 5th-8th October 2017. Overall this was a brilliant event where I enjoyed all but one film and even that was only a short, so it wasn’t too bad.
“Grimm up North.”
Based on the Manga by Tsugumi Ohba and Takeshi Obata, Death Note is a huge franchise in Japan. The Netflix remake rather misses the entire message of the original Death Note – which is that power corrupts. It barely touches on the themes that gave the original depth and intrigue and lacks its tension-building storytelling, which left the viewer wondering where the latest development might lead, and who would win. It’s the version for people who can’t cope with subtitles.
“Every human spends the last moments of his life in the shadow of a death god.”
Bloody Muscle Body Builder in Hell pays tribute to the enduring spirit of Sam Raimi’s Evil Dead series, and meshes the SFX style of Nobuhiko Obayashi’s cult horror Hausu (1977). Evil Dead and Asian horror fanatics, or anyone else with any interest in the splatter subgenre should own this movie!
Do you want to get your severed hands on this Japanese curiosity? Attack from Planet B and Terror Cotta have three copies of Bloody Muscle Body Builder in Hell available on DVD to giveaway.
Competition extended until Sunday 8th October 2017
If you profess a love of cinema, but have been eschewing the excellent films coming out of Korea, you really have been missing out on some top-notch entertainment. I went into Han Jae-Rim’s movie The King, knowing only that it had been described as a political thriller. That covers about half of it – it’s also a satire about corruption within Korea’s legal system, it’s a gangster movie, it’s a revenge tale and yes, it’s a crime thriller too. If Wes Anderson decided to make ‘Goodfellas’ with Ben Wheatley, The King might just be the movie they’d have aspired to. Imagine that.
“Only one will become… The King.”
Split is a grindhouse film in disguise, particularly repulsive for the cavalier way it blames women for the degeneracy of McAvoy’s character.
What makes Split so frustrating is that it could have been Shyalaman’s best film. Visually the film is perfect and the sound strikes the right balance between serene and scary, much like a Hitchcock film. The tension is palpable in the psychiatrist’s scenes, and the gripping terror of the girls is captured perfectly as their predicament grows worse.
“An individual with multiple personalities can change their body chemistry with their thoughts.”
Deceptively titled and oddly mis-marketed as a horror movie, Trey Edward Shults’s second feature It Comes at Night, might much more appropriately be viewed as a ‘post-apocalyptic psychological family drama’.
I’m often loath to place a movie under a genre classification, because certain movies might straddle several genres and don’t easily fit into pigeonholes.
However, if you go to see It Comes at Night expecting a conventional horror film, you will be disappointed… or perhaps you’ll be surprised.
“You can’t trust anyone but family.”
The concept of the ‘beautiful female corpse’ is by no means a new idea in the realm of gothic horror. In fact, it has been a stalwart of the genre since it began. Edgar Allan Poe was particularly partial to it and Bram Stoker took it to its natural conclusion when he hit upon the novel idea of having alluring dead ladies start walking about and seducing people.
Norwegian director André Øvredal follows up his found-footage indie sleeper Troll Hunter, with English-language debut The Autopsy of Jane Doe – a gory excursion through a dead woman’s innards.
“Every body has a secret.”
There have been hundreds of vampire films made worldwide and dozens of vampire comedies produced as well. However, none of them comes close to combining horror and humor effectively as What We Do in the Shadows.
What We Do in the Shadows has been highly praised by the mainstream press, and rightly so. Although not a cinematic masterpiece, this New Zealand gem has everything a fan could ask for- blood, guts, vampires, werewolves, zombies, and more laughs than any so-called comedy of the last decade.
“Some interviews with some Vampires.”
UGLI Studios out of State College, Pennsylvania has broken into the world of science fiction with the debut issue of Lords of the Cosmos.
Created by Jason Lenox, Jason Palmatier and Dennis Fallon, this first issue in what will be an ongoing series is a remarkable homage to the comics and cartoons of the 1980s. It vividly depicts that age of conflict between noble heroes and loathsome villains, aided and abetted by their truly repulsive henchmen.
“CY-CORN. The last unicorn. Now more machine than beast. The great betrayer of his fellow magical creatures…”
Fright-Rags have teamed up with the Colonial Marines at 20th Century Fox to release a collection of apparel for Ridley Scott’s Alien: Covenant; now in theaters nationwide.
They have also come here to chew bubblegum and kick ass with the release ofThey Live t-shirts… and they are all out of bubblegum.