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Dard Divorce (2007, Germany)

Dard Divorce (2007)

Olaf Ittenbach is a German auteur who is a combination of Tom Savini and Takashi Miike. Originally a dental technician, Ittenbach then became a top notch SFX artist, his most notable credit being for BloodRayne by Uwe Boll.

Along with Boll, he is part of the German new wave bringing media attention to their underground films specializing in rape, necrophilia and extreme violence. Ittenbach’s films focus on pain, body destruction and gore, preferably as much that can be jammed into a two hour film.

“Breaking up is so very hard to do…”

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Win Bloody Muscle Body Builder in Hell on DVD from Terror Cotta

Bloody Muscle Body Builder in Hell on DVD in April 2017

Bloody Muscle Body Builder in Hell pays tribute to the enduring spirit of Sam Raimi’s Evil Dead series, and meshes the SFX style of Nobuhiko Obayashi’s cult horror Hausu (1977). Evil Dead and Asian horror fanatics, or anyone else with any interest in the splatter subgenre should own this movie!

Do you want to get your severed hands on this Japanese curiosity? Attack from Planet B and Terror Cotta have three copies of Bloody Muscle Body Builder in Hell available on DVD to giveaway.

Competition ends Sunday 1st October 2017

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5 Quintessential Splatter Films

Braindead (1992)

Explicit gore was beginning to infiltrate the grindhouses of America, and ensured that employees of the British Board of Film Censors were working hard for their salaries. Strong reactions from the public, fuelled by politicians, tabloids and critics, set in motion outrage that would result in many splatter films being outright banned; especially in the United Kingdom.

“I created what no man’s mind nor woman’s womb could ever hope to achieve.”

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DAWN OF THE DEAD, HATCHET and HOUSE OF 1000 CORPSES Merchandise from Fright-Rags

Dawn of the Dead, Hatchet and House of 1000 Corpses Merch from Fright-Rags

Fright-Rags have released new merchandise relating to George A. Romero’s Dawn of the Dead, Adam Green’s Hatchet and Rob Zombie’s House of 1000 Corpses. So, when there’s no more room in your closet, the dead will truly walk the earth! There’s no turning back…

“When there’s no more room in hell, the dead will walk the earth.”

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Donnie Darko (2001, 2016, USA) 15th Anniversary (4K Restoration)

Donnie Darko (2001) 15th Anniversary

I emerge from the darkness of a doorway, blinking into the daylight of a Soho street. I look up at the sliver of wintry sky between the tops of the buildings, hoping that a random wormhole into a time portal might somehow open up.

Admittedly, this is almost a daily occurrence with me, but [at the time of writing] it is particularly significant as it is October 2nd [2016], and I have just come out of a special 15th anniversary screening of Donnie Darko, Richard Kelly’s much beloved and oft debated cult movie.

“What would you do if you knew the future?”

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Bloody Muscle Body Builder in Hell (2009, 2014, Japan)

Bloody Muscle Body Builder in Hell (2009)

Directed by Shinichi Fukazawa, Bloody Muscle Body Builder in Hell is a Japanese splatter film that pays tribute to the enduring spirit of director Sam Raimi’s The Evil Dead (1981) and Evil Dead II (1987).

Known as the ‘Japanese Evil Dead’ to those few that have actually managed to get their hands on this no-budget horror flick outside of Japan, Bloody Muscle Body Builder in Hell meshes the SFX style of Hausu (1977) with the comedy and splatter associated with The Evil Dead series.

“Groovy!”

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The Sky Has Fallen (2009, 2015, USA)

The Sky Has Fallen (2009, 2015)

Doug Roos’ independently produced, feature-length, post-apocalyptic horror film was promoted primarily on it’s practical special effects, make-up and lack of computer-generated imagery (CGI). In this respect The Sky Has Fallen does not disappoint. Shot in Missouri and clearly influenced by Ryuhei Kitamura’s Yakuza/Zombie splatter-fest Versus (2000), The Sky Has Fallen combines elements from various horror subgenres and, whereas most would fail, Roos’ somehow manages to make everything work cohesively with only a few missteps.

“All practical FX. No CGI.”

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Red Faction (2001) PlayStation 2

Red Faction 2 (2001) PlayStation 2 CoverLured to Mars by the Ultor Corporation’s promise of a better life, thousands have come to seek their fortune and work for the massive mining company. But all is not as it seems. A deadly plague is sweeping through the barracks, and miners suffer daily abuse at the hands of Ultor guards.

Welcome to Mars; home to the Ultor Corporation. Through tyranny and oppression, the Ultor Corporation know no mercy or sympathy, operating outside the Jurisdiction of the Earth Defence Force (EDF).

“I’m right behind you. Betray me or try to run, and you’ll be the first to die.”

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The Hunger Games vs. Battle Royale

Battle Royale (2000)

My impression on first hearing about the hugely popular [young adult] book trilogy (and now mega money-making feature-film franchise) The Hunger Games was: ‘Hey, teenage contestants forced to fight to the death in a populist amusement engineered by a manipulative, despotic master of a dystopian future world? Wow, what an interesting idea! …But wait, isn’t that just like…’

“Life is a game. So fight for survival and see if you’re worth it.”

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5 Must-See Modern Korean Horror Movies

A Tale of Two Sisters (2003)A Tale of Two Sisters (2003): From its eerie opening credits – indistinct ripples ebbing over green wallpaper – to the plot twists and revelations at its climax, ‘A Tale of Two Sisters’ is worthy of admission to the ranks of the best psychological horrors with greats such as ‘The Innocents’ or ‘The Others’.

“Do you know what’s really scary? You want to forget something. Totally wipe it off your mind. But you never can. It can’t go away, you see. And it follows you around like a ghost.”

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7 Must-See Modern Japanese Horror Movies

Battle Royale (2000)

Battle Royale (2000): Enforcing the terms of the new ‘Battle Royale Act’ one class of ninth-grade students is selected annually by lottery and relocated to an isolated island, fitted with explosive collars, given random weapons and forced to participate in a 3-day survival competition in which the last student left alive is the winner.

“There’s a way out of this game. Kill yourselves together…here…now. If you can’t do that, then don’t trust anyone… just run.”

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Dark Cinema: Horror from Japan and Korea

Ju-on: The Grudge (2002)

When a new era of Asian horror films entered mainstream Western cinema with Hideo Nakata’s ‘The Ring’, Asian horror movies were soon perceived to be chasing Hollywood’s more hackneyed horror efforts into the shadows.

“This kind of thing… it doesn’t start by one person telling a story. It’s more like everyone’s fear just takes on a life of its own.”

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