If you profess a love of cinema, but have been eschewing the excellent films coming out of Korea, you really have been missing out on some top-notch entertainment. I went into Han Jae-Rim’s movie The King, knowing only that it had been described as a political thriller. That covers about half of it – it’s also a satire about corruption within Korea’s legal system, it’s a gangster movie, it’s a revenge tale and yes, it’s a crime thriller too. If Wes Anderson decided to make ‘Goodfellas’ with Ben Wheatley, The King might just be the movie they’d have aspired to. Imagine that.
You’re gonna need a bigger wardrobe with Fright-Rags’ ever-growing line of horror apparel. Before you head out to Amity Island, it’s time to expand your summer wardrobe with Jaws apparel. Then fall approaches… Evil. Terror. Lust. Some girls really know how to party, so be prepared for the Halloween season with Elvira, Mistress of the Dark tees.
Split is a grindhouse film in disguise, particularly repulsive for the cavalier way it blames women for the degeneracy of McAvoy’s character.
What makes Split so frustrating is that it could have been Shyalaman’s best film. Visually the film is perfect and the sound strikes the right balance between serene and scary, much like a Hitchcock film. The tension is palpable in the psychiatrist’s scenes, and the gripping terror of the girls is captured perfectly as their predicament grows worse.
“An individual with multiple personalities can change their body chemistry with their thoughts.”
The concept of the ‘beautiful female corpse’ is by no means a new idea in the realm of gothic horror. In fact, it has been a stalwart of the genre since it began. Edgar Allan Poe was particularly partial to it and Bram Stoker took it to its natural conclusion when he hit upon the novel idea of having alluring dead ladies start walking about and seducing people.
Norwegian director André Øvredal follows up his found-footage indie sleeper Troll Hunter, with English-language debut The Autopsy of Jane Doe – a gory excursion through a dead woman’s innards.
“Every body has a secret.”
Fright-Rags have released new merchandise relating to George A. Romero’s Dawn of the Dead, Adam Green’s Hatchet and Rob Zombie’s House of 1000 Corpses. So, when there’s no more room in your closet, the dead will truly walk the earth! There’s no turning back…
“When there’s no more room in hell, the dead will walk the earth.”
Before Umberto Lenzi’s 1981 exploitation film Cannibal Ferox (aka Make Them Die Slowly) was “banned in 31 countries”, Almost Human had a reputation as a particularly nasty Italian crime thriller.
The late, great Tomas Milian (The Designated Victim) stars as the sadistic, criminal low life Giulio Sacchi, a man capable of rape, torture and murder.
“CAUTION: This picture may shock you, but it’s an experience in psychosadism you’ll never forget!”
Fright-Rags have teamed up with the Colonial Marines at 20th Century Fox to release a collection of apparel for Ridley Scott’s Alien: Covenant; now in theaters nationwide.
They have also come here to chew bubblegum and kick ass with the release ofThey Live t-shirts… and they are all out of bubblegum.
“I have come here to chew bubblegum and kick ass… and I’m all out of bubblegum.”
The South Korean film industry has enjoyed a twenty year renaissance especially in the thriller/horror/gore genres. The release of Oldboy (2003) put South Korean cinema back on the map, after seeing its once glorious traditions wane for many years. I Saw the Devil is the penultimate representative of this new style of Korean cinema, with acting, cinematography, direction and production values equal to any of the world’s leading movie centers.
“Don’t act so weak… this is just the beginning. Remember… your nightmare’s only getting worse!”
The best movies of the eighties either celebrated frivolity and gave us great entertainment, or rejected norms and pushed the boundaries towards broader innovations. Eighties indie movies were especially bold in this regard, and few directors tackled social and personal shape-shifting as deftly or entertainingly as Jonathan Demme.
The aptly titled, Something Wild gives us everything the eighties were famous for: laughs, sex, craziness, danger, secret lives, violence, drugs, nasty things in small towns and a great pop music soundtrack.
“Something Different. Something Daring. Something Dangerous.”
In Predator, John McTiernan’s 1987 sci-fi cult classic, Arnold Schwarzenegger taught us that “If it bleeds, we can kill it!”. For the 30th anniversary, Fright-Rags has released the Predator Collection; and the return of their popular mask and t-shirt box sets.
“Get to the chopper!”
I emerge from the darkness of a doorway, blinking into the daylight of a Soho street. I look up at the sliver of wintry sky between the tops of the buildings, hoping that a random wormhole into a time portal might somehow open up.
Admittedly, this is almost a daily occurrence with me, but [at the time of writing] it is particularly significant as it is October 2nd , and I have just come out of a special 15th anniversary screening of Donnie Darko, Richard Kelly’s much beloved and oft debated cult movie.
“What would you do if you knew the future?”
In 1992 Albert Pyun directed his 14th feature length film since debuting in 1982 with the sword & sorcery fantasy, The Sword and the Sorcerer. At the time of writing this review, Pyun has directed over 50 movies, so to say that Pyun, as a director, was (and still is) prolific is an understatement… He is a fucking machine!
From the moment the title appears, until the end-credits roll, Nemesis is a sequence of non-stop, over-the-top action set pieces woven together by a myriad of influences.