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Dard Divorce (2007, Germany)

Dard Divorce (2007)

Olaf Ittenbach is a German auteur who is a combination of Tom Savini and Takashi Miike. Originally a dental technician, Ittenbach then became a top notch SFX artist, his most notable credit being for BloodRayne by Uwe Boll.

Along with Boll, he is part of the German new wave bringing media attention to their underground films specializing in rape, necrophilia and extreme violence. Ittenbach’s films focus on pain, body destruction and gore, preferably as much that can be jammed into a two hour film.

“Breaking up is so very hard to do…”

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I’d buy that for a dollar! Celebrate 30 Years of ROBOCOP and EVIL DEAD 2 with Fright-Rags Apparel

Fright-Rags' RoboCop and Evil Dead 2 Collections

Fright-Rags are celebrating the 30th anniversaries of both Paul Verhoeven’s RoboCop and Sam Raimi’s Evil Dead 2, with new merchandise dedicated to these 80s cult classics.

“Part man. Part machine. All cop. The future of law enforcement.”

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5 Quintessential Splatter Films

Braindead (1992)

Explicit gore was beginning to infiltrate the grindhouses of America, and ensured that employees of the British Board of Film Censors were working hard for their salaries. Strong reactions from the public, fuelled by politicians, tabloids and critics, set in motion outrage that would result in many splatter films being outright banned; especially in the United Kingdom.

“I created what no man’s mind nor woman’s womb could ever hope to achieve.”

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You Ain’t Got to Pull That Blacula Shit With Me. Black Vampires in: Vampire in Brooklyn and Blacula

Blacula (1972)

“You ain’t got to pull that Blacula shit with me.” The line is an attempt to link what seems to be a half-hearted star-vehicle with something else: blaxploitation. By simultaneously comparing Murphy’s ’90s effort with its ’70s predecessor, whilst slyly digging at the older genre’s foibles, the gag it is a somewhat noble, if pithy, effort to give Vampire in Brooklyn more heft.

“Interesting. I’ve been stabbed, and I’ve been hanged, and I’ve been burned. Even broken on the rack once, but I’ve never been shot before. Kind of itches a little!”

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The King (2017, South Korea)

The King (2017)

If you profess a love of cinema, but have been eschewing the excellent films coming out of Korea, you really have been missing out on some top-notch entertainment. I went into Han Jae-Rim’s movie The King, knowing only that it had been described as a political thriller. That covers about half of it – it’s also a satire about corruption within Korea’s legal system, it’s a gangster movie, it’s a revenge tale and yes, it’s a crime thriller too. If Wes Anderson decided to make ‘Goodfellas’ with Ben Wheatley, The King might just be the movie they’d have aspired to. Imagine that.

“Only one will become… The King.”

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JAWS and ELVIRA, MISTRESS OF THE DARK Merchandise from Fright-Rags

Fright-Rags' Jaws and Elvira Merchandise

You’re gonna need a bigger wardrobe with Fright-Rags’ ever-growing line of horror apparel. Before you head out to Amity Island, it’s time to expand your summer wardrobe with Jaws apparel. Then fall approaches… Evil. Terror. Lust. Some girls really know how to party, so be prepared for the Halloween season with Elvira, Mistress of the Dark tees.

“Unpleasant dreams…”

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Split (2016, USA)

Split (2016)

Split is a grindhouse film in disguise, particularly repulsive for the cavalier way it blames women for the degeneracy of McAvoy’s character.

What makes Split so frustrating is that it could have been Shyalaman’s best film. Visually the film is perfect and the sound strikes the right balance between serene and scary, much like a Hitchcock film. The tension is palpable in the psychiatrist’s scenes, and the gripping terror of the girls is captured perfectly as their predicament grows worse.

“An individual with multiple personalities can change their body chemistry with their thoughts.”

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The Autopsy of Jane Doe (2016, UK / USA)

The Autopsy of Jane Doe (2016)

The concept of the ‘beautiful female corpse’ is by no means a new idea in the realm of gothic horror. In fact, it has been a stalwart of the genre since it began. Edgar Allan Poe was particularly partial to it and Bram Stoker took it to its natural conclusion when he hit upon the novel idea of having alluring dead ladies start walking about and seducing people.

Norwegian director André Øvredal follows up his found-footage indie sleeper Troll Hunter, with English-language debut The Autopsy of Jane Doe – a gory excursion through a dead woman’s innards.

“Every body has a secret.”

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DAWN OF THE DEAD, HATCHET and HOUSE OF 1000 CORPSES Merchandise from Fright-Rags

Dawn of the Dead, Hatchet and House of 1000 Corpses Merch from Fright-Rags

Fright-Rags have released new merchandise relating to George A. Romero’s Dawn of the Dead, Adam Green’s Hatchet and Rob Zombie’s House of 1000 Corpses. So, when there’s no more room in your closet, the dead will truly walk the earth! There’s no turning back…

“When there’s no more room in hell, the dead will walk the earth.”

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Almost Human (1974, Italy) Shameless Blu-ray Review

Almost Human (1974) Shameless Blu-ray

Before Umberto Lenzi’s 1981 exploitation film Cannibal Ferox (aka Make Them Die Slowly) was “banned in 31 countries”, Almost Human had a reputation as a particularly nasty Italian crime thriller.

The late, great Tomas Milian (The Designated Victim) stars as the sadistic, criminal low life Giulio Sacchi, a man capable of rape, torture and murder.

“CAUTION: This picture may shock you, but it’s an experience in psychosadism you’ll never forget!”

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Xenomorphs Live! ALIEN: COVENANT and THEY LIVE Apparel Now Available from Fright-Rags

Alien: Covenant + They Live Fright-Rags Apparel

Fright-Rags have teamed up with the Colonial Marines at 20th Century Fox to release a collection of apparel for Ridley Scott’s Alien: Covenant; now in theaters nationwide.

They have also come here to chew bubblegum and kick ass with the release ofThey Live t-shirts… and they are all out of bubblegum.

“I have come here to chew bubblegum and kick ass… and I’m all out of bubblegum.”

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I Saw the Devil (2010, South Korea)

I Saw the Devil (2010)

The South Korean film industry has enjoyed a twenty year renaissance especially in the thriller/horror/gore genres. The release of Oldboy (2003) put South Korean cinema back on the map, after seeing its once glorious traditions wane for many years. I Saw the Devil is the penultimate representative of this new style of Korean cinema, with acting, cinematography, direction and production values equal to any of the world’s leading movie centers.

“Don’t act so weak… this is just the beginning. Remember… your nightmare’s only getting worse!”

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