Trapped inside an old haunted property, a body builder finds himself tormented by a relentless ghost with a 30 year grudge in Shinichi Fukazawa’s tongue-in-cheek splatter comedy; Bloody Muscle Body Builder in Hell. With the assistance of Terracotta Distribution, Attack from Planet B has had the opportunity to interview Shinichi Fukazawa to discuss his first feature-length film.
The first time I watched Re-Animator was on HBO, late one evening. I had never heard of the film; however 95 minutes later it became one of my favorite movies of all time. Adapted from the H.P. Lovecraft novella “Herbert West, Re-Animator”, this splattery opera is well worth multiple viewings.
Re-Animator is one of the best horror films of the 1980s and of any era. It has an uncommon mix of horror, suspense, humor, sex and splatter to entertain the most jaded of cult and horror fans.
“Herbert West has a very good head on his shoulders…and another one in a dish on his desk.”
Adapted from H.P. Lovecraft’s short story The Colour Out of Space, David Keith’s 1987 directional debut The Curse is remarkably faithful to the source material; albeit poorly executed.
I must admit that I was unaware that The Curse was a tale of Lovecraftian horror until I realised the thematic similarities to Daniel Haller’s Die, Monster, Die! (1965); wherein a radioactive meteorite hits Earth with horrific consequences.
“It takes your body. And your mind. Then it takes you straight to hell…”
Where the hell am I supposed to find silver bullets? What!? You can acquire them for us? Then you’re the perfect candidate for The Monster Squad. Join the goddamn club with Fright-Rags’ collection of merchandise dedicated to Fred Dekker’s 1987 cult classic.
“You know who to call when you have ghosts but who do you call when you have monsters?”
In Swiss Army Man, first-time directors Daniel Scheinert and Daniel Kwan (the Daniels) genuinely present you with things you’re unlikely to have seen before – and that, in the current cinematic climate, is a feat in itself.
One can certainly see why Swiss Army Man was a movie that was inevitably going to polarise opinions. In a time when moviegoers are subjected to a constant barrage of remakes, reboots or sequels, I for one am not going to turn my nose up at any movie which places almost all of its bets on being singular and unique.
“We all need some body to lean on.”
Comet, the free network dedicated to science fiction and horror programming, is back with the best of the best, or in many cases, the best of the worst!
“For they shall inherit the earth…sooner than you think!”
Get Out concerns Chris, who is invited by his girlfriend of five months, Rose to travel upstate for the weekend to meet her parents. Chris is concerned about how Rose’s privileged white family’s might react to him, as she hasn’t told them that her boyfriend is black. Meeting the parents is a frightening prospect at the best of times, but Get Out offers a vision of a black guy’s unnerving entrance into a particularly unorthodox white world.
Chris’s girlfriend brushes off his concerns, assuring him that her parents are liberals and that he has nothing to worry about…
“Just because you’re invited, doesn’t mean you’re welcome.”
An American Werewolf in London presents the perfect balance between comedy and horror by writer/director John Landis, along with unparalleled special effects by Rick Baker, ensuring this tale of lycanthropy has a place in cinematic history to which all other werewolf movies are now compared. Fright-Rags’ pays tribute to the 1981 classic with their An American Werewolf in London Collection.
“Beware the moon, lads.”
Canadian writer-director team Steven Kostanski and Jeremy Gillespie are part of the Astron-6 collective, whose work includes the playful retro horrors The Editor and Manborg.
In their feature The Void, they tone down the humour and opt for suspense and full-on Lovecraftian horror. They draw their influences from a number of sources, including Clive Barker’s Hellraiser, Anderson’s Event Horizon, Cronenberg’s The Fly, Lucio Fulci’s The Beyond and Carpenter’s The Thing and Prince of Darkness.
“There is a hell. This is worse.”
This [month] marks the 40th anniversary of David Lynch’s enigmatic cult film “Eraserhead”; a bizarrely strange and surreal body-horror film that is sure to get under your skin. In 1977, the film became a popular ‘Midnight Movie’ and has continued to bother viewers’ minds since then.
Every single scene is shot in stark black-and-white with constant industrial background ambience, which is sure to make the viewer feel on edge. Love it, or hate it, this movie will for sure leave an impression on you.
“Where your nightmares end…”
Coming into this movie I’ll be honest, I wasn’t sure what to expect. I absolutely love monster movies, I always have. Kong: Skull Island is a total throwback to the fun, action adventure movies we got throughout the 80’s and early 90’s. There’s so much to like here and it’s hard not to enjoy, so even though it’s had respectable reviews, it certainly hasn’t taken the world by storm. Don’t get me wrong it’s not going to win any awards, but it’s clear that wasn’t it’s aim. It’s main purpose is to give the audience a nostalgic, happy time and to entertain.
“All hail the King.”
In Predator, John McTiernan’s 1987 sci-fi cult classic, Arnold Schwarzenegger taught us that “If it bleeds, we can kill it!”. For the 30th anniversary, Fright-Rags has released the Predator Collection; and the return of their popular mask and t-shirt box sets.