Comet, the free network dedicated to science fiction and horror programming, is bringing more cult classics to the unsuspecting public this month.
The 40+ year old iconic independent film company Troma Entertainment will be attending Monster-Mania Con 36 between March 10-12 at the Crowne Plaza Hotel in New Jersey.
“Lloyd Kaufman and Toxie return to New Jersey at Monster-Mania Con 36!”
Umberto Lenzi’s mean-spirited 1974 poliziotteschi, Almost Human, is getting the high definition upgrade courtesy of your partners-in-crime; Shameless Screen Entertainment.
“CAUTION: This picture may shock you, but it’s an experience in psychosadism you’ll never forget!”
Comet, the newest and obviously coolest Sci-Fi TV network, is heading to the skies this month; battling the cosmos with Flash Gordon, before teaming up with Attack from Planet B to play a game of Rollerball with LL Cool J and give away yet more science fiction themed swag.
Competition ends Thursday 9th February 2017
Fright-Rags are tapping into that collective nostalgia with the first in a planned series of box sets paying homage to VHS; launching with one film that defined the home video era: Tobe Hooper’s The Texas Chainsaw Massacre.
Fright-Rags are also proud to present the Alfred Hitchcock collection of four new t-shirts.
“Who will survive and what will be left of them?”
Also known by the appropriate name Cathedral of Demons, Michele Soavi’s 1989 Italian Gothic horror The Church is widely considered as the official sequel to Lamberto Bava’s Demons 2 (1986).
Indeed The Church was originally conceived as Demons 3, but upon Soavi’s insistence the film stands alone. For those of you who intend to purchase the new release from Shameless Screen Entertainment, The Church has no direct thematic link to either Demons (1985) or Demons 2 (1986).
“In this unholy sanctuary you haven’t got a prayer…”
One cannot discuss 1976’s most controversial theatrical release without first discussing the mythology of the ‘snuff’ film itself. You see, a snuff film is a filmed sequence that depicts the actual murder of another human being for distribution and financial exploitation. Morbid, yes?
Then came along Snuff: “The film that could only be made in South America…where life is cheap!”
The history behind Snuff however, is far more interesting than the film itself.
“Are the killings in this film real? You be the judge!”
It’s cold outside, so let Comet become your time-vacuum this winter and indulge yourself in countless hours of sci-fi/horror b-movie terror; available on television digi-networks and online at CometTV.com
“They came, swarming over the land, sucking the life from anything in their path.”
This upcoming December the Troma Team wish you all a very merry Xmas with two world premiere gifts on Troma Now that will make you want to bathe in your egg nog! Jay Summers’ feature length debut, Revenge of the Spacemen, along with Molly Hewitt’s short film, Maggie’s Problem (featuring music by prolific indie Lo-Fi legend R. Stevie Moore).
“…a throwback to all the classic alien invasion flicks of yesteryear…”
During the videotape format war of the late 1970s and early 1980s, JVC’s VHS would compete for market share against Sony’s Betamax. Betamax was, in theory, the superior recording format but VHS would ultimately emerge as the preeminent home video format in 1986. Consumers could not justify the extra cost of a Betamax VCR, which was often more expensive that the VHS equivalent due to the higher quality construction of Betamax recorders.
“Decadence is their fate.”
Made for approximately $25,000.00 and released in 1983 The Deadly Spawn is an exercise in low-budget excess. Conceived by producers Ted Bohus and Tim Hildebrandt this 16mm cult classic emerged, drenched in blood, during the horror video boom of the 1980′s as an effort to pay tribute to the alien sub-genre of 1950′s science fiction.
Special make-up effects artist John Dods worked extensively with his dedicated team to design and create the monster-mechanicals that helped secure The Deadly Spawn cult status.