Lloyd Kaufman, president of Troma Entertainment and creator of The Toxic Avenger, will be a special guest of honor at the New York Comic Con between the 5th-8th October 2017 at the Javits Center. Literally take a knee with Lloyd Kaufman and the Troma Team, only at NYCC Troma Booth #429.
Tobe Hooper was one of the most influential horror directors of all time. His vision and intelligence can be seen in almost every slasher and splatter film over the last forty years and The Texas Chain Saw Massacre is Hooper’s masterpiece.
Originally conceived as a faux film “based on true events”, Hooper did draw inspiration from the story of Ed Gein, a murderer, grave robber who had a predilection for a number of other unsavory character traits.
“What happened is true. Now the motion picture that’s just as real. Once you stop screaming, then you’ll start talking about it.”
Explicit gore was beginning to infiltrate the grindhouses of America, and ensured that employees of the British Board of Film Censors were working hard for their salaries. Strong reactions from the public, fuelled by politicians, tabloids and critics, set in motion outrage that would result in many splatter films being outright banned; especially in the United Kingdom.
“I created what no man’s mind nor woman’s womb could ever hope to achieve.”
Swedish musician Thomas Nyholm, under the moniker of Islandrocks, creates these insanely good cover versions of exploitation, cult classic theme songs, such as City of the Living Dead (1980), The Beyond (1981), Suspiria (1977), Class of Nuke ‘Em High (1986) and The New York Ripper (1982).
“We are going to dance the Fulci way! Zombie …the funk are among us!”
“You ain’t got to pull that Blacula shit with me.” The line is an attempt to link what seems to be a half-hearted star-vehicle with something else: blaxploitation. By simultaneously comparing Murphy’s ’90s effort with its ’70s predecessor, whilst slyly digging at the older genre’s foibles, the gag it is a somewhat noble, if pithy, effort to give Vampire in Brooklyn more heft.
“Interesting. I’ve been stabbed, and I’ve been hanged, and I’ve been burned. Even broken on the rack once, but I’ve never been shot before. Kind of itches a little!”
The Western is the most American film genre of them all, encompassing a variety of themes and time periods. The 1970s were a fertile period for films that questioned traditional beliefs about our country’s march towards the Pacific, the interests of big business versus individual rights, its treatment of the indigenous peoples and notions of heroism.
Ulzana’s Raid can be viewed as a horror movie that takes place in the West or a Western with all the trappings of a horror film.
“One man alone understood the savagery of the early American west from both sides.”
Under the moniker of Beyond Horror Design, James Stewart has created these incredible, retro-stylised trading cards, based on exploitation cult classics such as The Beyond (1981).
“Woe be unto him who opens one of the seven gateways to Hell, because through that gateway, evil will invade the world.”
Lucio Fulci’s The House by the Cemetery (1981) is notorious in the United Kingdom for being one of the 39 movies that were prosecuted under the Obscene Publications Act in the 1980s. Dubbed a ‘video nasty’ by the garbage British tabloids, The House by the Cemetery was effectively banned from distribution and personal possession…
If you are prepared to endure the awful dubbing, The House by the Cemetery is deserving of its cult reputation.
“Read the fine print. You may have just mortgaged your life!”
Fright-Rags have released new merchandise relating to George A. Romero’s Dawn of the Dead, Adam Green’s Hatchet and Rob Zombie’s House of 1000 Corpses. So, when there’s no more room in your closet, the dead will truly walk the earth! There’s no turning back…
“When there’s no more room in hell, the dead will walk the earth.”
Before Umberto Lenzi’s 1981 exploitation film Cannibal Ferox (aka Make Them Die Slowly) was “banned in 31 countries”, Almost Human had a reputation as a particularly nasty Italian crime thriller.
The late, great Tomas Milian (The Designated Victim) stars as the sadistic, criminal low life Giulio Sacchi, a man capable of rape, torture and murder.
“CAUTION: This picture may shock you, but it’s an experience in psychosadism you’ll never forget!”
This film was typical of the drive-in features Claudia Jennings appeared in the early 1970’s, with one notable exception. Although Truck Stop Women demonstrated what audiences would identify as the quintessential Claudia Jennings character, this was no working class, feminist hero Karen Walker from Unholy Rollers… In this film, Claudia commits about every original sin and violates a few new ones. She could easily be considered one of the screen’s best villains- a living nightmare, having no feelings for fellow human beings, and perhaps the sexiest sociopath of all time.
“No rig was too big for them to handle!”
For Claudia, The Man Who Fell to Earth was a dream come true. She was working with a veteran, respected director on a major film. This is what she had been waiting for… While her role was unbilled and her screen time was very limited, her impact on the movie was much greater than her brief appearance would indicate.