Where the hell am I supposed to find silver bullets? What!? You can acquire them for us? Then you’re the perfect candidate for The Monster Squad. Join the goddamn club with Fright-Rags’ collection of merchandise dedicated to Fred Dekker’s 1987 cult classic.
In Swiss Army Man, first-time directors Daniel Scheinert and Daniel Kwan (the Daniels) genuinely present you with things you’re unlikely to have seen before – and that, in the current cinematic climate, is a feat in itself.
One can certainly see why Swiss Army Man was a movie that was inevitably going to polarise opinions. In a time when moviegoers are subjected to a constant barrage of remakes, reboots or sequels, I for one am not going to turn my nose up at any movie which places almost all of its bets on being singular and unique.
“We all need some body to lean on.”
Get Out concerns Chris, who is invited by his girlfriend of five months, Rose to travel upstate for the weekend to meet her parents. Chris is concerned about how Rose’s privileged white family’s might react to him, as she hasn’t told them that her boyfriend is black. Meeting the parents is a frightening prospect at the best of times, but Get Out offers a vision of a black guy’s unnerving entrance into a particularly unorthodox white world.
Chris’s girlfriend brushes off his concerns, assuring him that her parents are liberals and that he has nothing to worry about…
“Just because you’re invited, doesn’t mean you’re welcome.”
An American Werewolf in London presents the perfect balance between comedy and horror by writer/director John Landis, along with unparalleled special effects by Rick Baker, ensuring this tale of lycanthropy has a place in cinematic history to which all other werewolf movies are now compared. Fright-Rags’ pays tribute to the 1981 classic with their An American Werewolf in London Collection.
“Beware the moon, lads.”
The cellar door has been opened and the official UK trailer for Shinichi Fukazawa’s splatter masterpiece Bloody Muscle Body Builder in Hell has escaped!
Trapped inside an old haunted property, a body builder (Shinichi Fukazawa) finds himself tormented by a relentless ghost with a 30 year grudge in Shinichi Fukazawa’s tongue-in-cheek splatter comedy.
“…Shinichi Fukazawa’s splatter masterpiece…”
The 40+ year old iconic independent film company Troma Entertainment will be attending Monster-Mania Con 36 between March 10-12 at the Crowne Plaza Hotel in New Jersey.
“Lloyd Kaufman and Toxie return to New Jersey at Monster-Mania Con 36!”
Lloyd Kaufman, president of Troma Entertainment and creator of The Toxic Avenger, has announced that Troma, the longest running truly independent film company in American history, have crossed the atlantic ocean in order to acquire Irish filmmaker Séamus Hanly’s hilarious superhero/comedy, The Middle Finger.
“He’s our only hope… Sorry about that.”
Fright-Rags are re-animating movie trading card tradition with their House of Fright Wax Packs. “Death is just the beginning…” Stuart Gordon’s 1985 Lovecraftian comedy/horror Re-Animator is the first film to receive the reagent!
“Herbert West has a very good head on his shoulders…and another one in a dish on his desk!”
With Richard Donner’s Superman still a few years off from transforming comic cinema into a legit and lucrative genre, letting the audience in on the gag and addressing its protagonist’s more antiquated elements would have been a wise move. But outside of pausing every so often to superimpose a gleam across Ron Ely’s peepers or randomly announce a new, heretofore unknown talent of Doc’s, Doc Savage: The Man of Bronze does little to deconstruct its parent property or its contemporaries in the world of crime-fighting fiction. Producer George Pal took a chance on a big-screen throwback.
“Have no fear! Doc Savage is here!”
It’s fair to say that Straight to Hell isn’t widely considered to be one of director Alex Cox’s best films. Some people may even consider it to be his worst.
However, whilst its creation, cast, setting and gonzo punk style, make it an undeniable curiosity, it is its adaptation and reclamation of popular genre style, that may make Straight to Hell Cox’s most notably cine-literate film. For the uninitiated: Cox was the punk filmmaker who made it big early on, blew it nearly as quickly, and has steadfastly done his own thing ever since.
“A story of blood, money, guns, coffee, and sexual tension.”
Directed by Shinichi Fukazawa, Bloody Muscle Body Builder in Hell is a Japanese splatter film that pays tribute to the enduring spirit of director Sam Raimi’s The Evil Dead (1981) and Evil Dead II (1987).
Known as the ‘Japanese Evil Dead’ to those few that have actually managed to get their hands on this no-budget horror flick outside of Japan, Bloody Muscle Body Builder in Hell meshes the SFX style of Hausu (1977) with the comedy and splatter associated with The Evil Dead series.
2017 is almost upon us, so why not celebrate a Happy Troma Now Year with Rock Stars, Animals, The Devil, and Leprechauns!? Yes, Troma Now will be streaming two new world premieres in January that will help you to forget 2016. Nick Box and Chris Hines’ documentary Andrew W.K. Party Safari and John Birmingham’s southern comedy Rednecks.