With Richard Donner’s Superman still a few years off from transforming comic cinema into a legit and lucrative genre, letting the audience in on the gag and addressing its protagonist’s more antiquated elements would have been a wise move. But outside of pausing every so often to superimpose a gleam across Ron Ely’s peepers or randomly announce a new, heretofore unknown talent of Doc’s, Doc Savage: The Man of Bronze does little to deconstruct its parent property or its contemporaries in the world of crime-fighting fiction. Producer George Pal took a chance on a big-screen throwback.
Comet, the newest and obviously coolest Sci-Fi TV network, is heading to the skies this month; battling the cosmos with Flash Gordon, before teaming up with Attack from Planet B to play a game of Rollerball with LL Cool J and give away yet more science fiction themed swag.
Competition ends Thursday 9th February 2017
In the United Kingdom, Liverpool Small Cinema presents David Bowie Day on Sunday 8th January! It’s Bowie’s birthday and we miss him so, so let’s DANCE and celebrate the man, the music and the magic.
“I’m an instant star. Just add water and stir.”
Attack from Planet B have teamed up with Comet once again to give away Stargate Atlantis themed swag to one randomly chosen person. Free stuff? Yes. Free stuff good.
Competition ends Friday 30th December 2016
During the videotape format war of the late 1970s and early 1980s, JVC’s VHS would compete for market share against Sony’s Betamax. Betamax was, in theory, the superior recording format but VHS would ultimately emerge as the preeminent home video format in 1986. Consumers could not justify the extra cost of a Betamax VCR, which was often more expensive that the VHS equivalent due to the higher quality construction of Betamax recorders.
“Decadence is their fate.”
Let’s face it, the 1980s were awesome! So it’s expected that nostalgia will run rampant, but few modern films have been able to capture the decade’s idiosyncrasies like Turbo Kid.
“This is the future. The world as we knew it is gone. Acid rain has left the land barren and the water toxic. Scarred by endless wars humanity struggles to survive in the ruins of the old world, frozen in an everlasting nuclear winter. This is the future…this is the year 1997.”
As you are no doubt aware, having found this particular website, in the late ’70s space was the shit. In the wake of Star Wars, numerous projects were green-lit, ranging from Ridley Scott’s franchise-launching Alien to the bottom-of-the-barrel Disney project The Black Hole. Saturn 3 was American-born, British TV supremo Lord Lew Grade’s attempt to cash in on the public’s new-found love of sci-fi. And, on the surface, its got a lot going for it.
“Trapped between unnatural love and inhuman desire.”
Whereas retro zombie video games were the “Next Big Thing” in their days, this is not the case anymore since more stylistic and graphically-rich games have emerged. As a result, gaming enthusiasts across the globe have been forced to forget blasting through corpses in favor of the most current, action-intense games like like those from the Forza Horizon, Mafia and Gears of War series.
“The zombies are coming!”
Masked hero dressed to the nines with gizmos galore? Check.
Doughy character actors scurrying about in silly costumes? Check.
Twelve half-hour episodes of the aforementioned cheesiness, and more? Check.
“So, Commando Cody, Sky Marshal of the Universe. As one scientist to another, I must congratulate you. You have conquered space! A great achievement…for an Earthman.”
Back in the late 80s/early 90s I was not allowed to watch the many horror films that adorned the plastic shelving of my local video store. Some might say that is wise parenting, considering I was only 5 or 6 at the time. But strangely action films were deemed ok to view (such as substandard fare from Cannon Pictures and Guild Video).
“Look, there’s a lot of us working to make a bad world better. Remember that.”
In 1971 JVC put together a team to develop a consumer-based VTR, but by early 1972 the video recording industry in Japan began to struggle financially. JVC was forced to restructure their video division, effectively shelving the VCR project. However, JVC engineers Yuma Shiraishi and Shizuo Takano continued to work on the project in secret. By 1973 the two engineers had produced a functional prototype.